In Search of the Best Vintage Canon Rangefinder 35, Part 1

In Search of the Best Vintage Canon Rangefinder 35, Part 1
Bottom loading Canons of the ‘50s: Much more than mere Leica copies

By Jason Schneider

The Leica, introduced in 1925 as the minimalist, scale-focusing Leica I (Model A), has had a profound influence on the development of the 35mm camera and on photography in general. In particular, the Leica II (Model D) of 1932 (the first Leica with a built-in rangefinder and coupled interchangeable screw-mount lenses) and the bayonet mount Leica M3 of 1954 (which added a magnificent range/viewfinder with illuminated, auto indexing, parallax compensating frame lines) inspired a horde of imitators that created everything from unabashed copies to ingenious derivatives. However, among the welter of Leica adjacent rangefinder cameras that emerged from the early ‘30s to the late ‘60s only 3 serious competitors emerged: the Zeiss Ikon Contax of 1932 to 1961, the Nikon rangefinder S-mount series of 1948-2005 (the latter date applies if you count the post-SP replicas made after 1962), and the Canon of 1933 (if you count the Kwanon-X of 1933) to 1968. Of these three the Canon was undoubtedly the most successful in terms of worldwide sales in the postwar era, and Leica screw mount Canon cameras ranging from the Canon IIB of 1949-1951 to the very last Canon 7sZ of 1967-1968 are among the best interchangeable lens rangefinder cameras ever made.

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KWANON (Canon prototype) of 1934 was the forerunner of a great camera dynasty.

Canon Cameras made prior to the Canon IIB are a fascinating subject unto themselves that is admirably and exhaustively covered in Peter Dechert’s excellent book Canon Rangefinder Cameras 1933-1968, Hove Books, Ltd. 1985 which I’ve used as one of the reference sources for this article, and I heartily commend to Canon fanciers and collectors. However, Canon cameras made before 1949 are really the province of serious collectors and most are rare and priced accordingly. So here I’ll concentrate on my personal favorites, Canons of the 1949-1953 era, all of which are bottom loaders with combined range/viewfinders and Canon’s distinctive “half-hexagonal-ended” form factor. Note: Canon was famous (notorious?) for producing a slew of models with minor variations and occasionally using existing parts on newer models to the confusion of historians and collectors. I will therefore limit my coverage to Canons I’ve seen, handled and owned and leave the taxonomic niceties to other experts who are beyond my pay grade.

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Canon IIB with 50mm f/3.5 Serenar lens: It established the form and features of the rangefinder series and may be the most important Canon ever.

The Canon IIB of 1949-1952 was the first Canon with a single eyepiece combined range/viewfinder that also incorporated Canon’s signature 3-step multi-magnification eyepiece (F for full 50mm view, 1.0x for 100mm view, and 1.5x for maximum focusing precision) that’s capable of providing an effective base length (EBL) long enough to focus wide aperture and tele lenses at the flick of a lever. This brilliant innovation took Canon one big technological step beyond the double eyepiece Leica IIIc, IIIf, and even the Leica IIIg of 1957-1960, and it was used on all subsequent rangefinder Canons up to the Canon P of 1958-1961, which showed reflected parallax-compensating frame lines for 35mm, 50mm, and 100mm lenses all at once. Other features: bottom loading, horizontal cloth focal plane shutter with separate front mounted slow speed dial with speeds of 1/20 sec and slower, a top-mounted fast speed dial with shutter speeds of 1/20-1/500 sec plus B, and traditional knob wind and rewind. The Canon IIB was made in early and late versions with minor variations and those made before 1952 are stamped “Made in Occupied Japan” on their base plates. Standard lenses: 50mm f/3.5 Serenar or 50mm f/1.9 Serenar, both collapsible. The Canon IIB is a lovely camera and fine user collectible, but it’s scarcer and often pricier than later Canons such as the III, IIIA, IVS and IVSB, which are better, more economical choices for vintage shooters. $200-$300, body only; $300-450 with 50mm collapsible lens.

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Top view of Canon IIB showing selector lever for Canon's signature 3-position eyepiece below rewind knob at left.

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Bottom view of Canon IIB of c.1950 shows Made in Occupied Japan inscription required on all postwar Japanese cameras exported before 1952.

Canon III and IV: Released in 1951 both models featured a new coated cloth focal plane shutter with a top speed of 1/1000 sec, and a slow speed dial on the front split at 1/25 sec (instead of the previous 1/20 sec) that now provided a T setting. The bodies have a small hole below the lens mount for a flash sync wire and additional holes below the rewind knob for attaching a new flash sync rail, but these were filled in on the Canon III, which didn’t offer flash sync. However, both models (along with the rare, lower priced IIC of 1951 which had a top shutter speed of 1/500 sec) retained the popular 3-position eyepiece and lever selector that debuted on the Canon IIB. The Canon IV was the first Canon rangefinder 35 with built-in flash sync and can be identified by the flash sync rail on the side of the body below the rewind knob. All 3 Canons released in 1951 also had a revised rewind mechanism and their advance/rewind levers are mounted on a little hump on the top cover. Only 1,400 units of the Canon IV were produced, making it a scarce collector’s prize. Canon III: $300-350, body only; about $100 more with with 50mm f/1.9 Serenar lens. Canon IIC, $600-$1,000 with or without lens; Canon IV, about $400 body only in pristine condition, but $150-S200 for examples in average condition.

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Canon III of 1952 with collapsible 50mm f/1.9 Serenar lens had standardized Leica compatible (LTM) screw mount.

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Canon IV body. It was the first Canon with built-in flash sync. Note flash mounting rail on side of body below rewind knob.

Canon IIIA, IVF, and IVS: Introduced in 1952 these were the first Canons to use a standard M39 Leica screw mount (LTM) that’s fully compatible with threaded Leica lenses. Previous models employed a “semi-universal” flange that had a slightly different pitch that could occasionally give trouble with mounting and rangefinder coupling Leica and other non-Canon screw mount lenses. I’ve never experienced this myself, but the problem is too well documented to be dismissed as apocryphal. Other changes: a more robust single piece eyepiece magnification lever, and revised rewind and wind knobs, the latter now incorporating an ASA film speed reminder. The standard lens sold with the IIIA was new rigid 6-element, 4-group 50mm f/1.8 Canon in chrome that was renowned for its high resolution and outstanding image quality and remained in production until the last Canon rangefinder camera rolled off the production line. The Canon IVF and IVS were updated versions of the Canon IV that incorporated all the minor changes built into the Canon IIIA. The IVS also employed a new solid metal shutter housing in place of the one in the IVF and previous Canons that was assembled from sheet metal parts. 1952 also saw the expansion of the Canon lens range, which now included, in addition to the previously noted 50mm f/1.8, the 35mm f/3.2, 50mm f/1.5, 85mm f/2, 100mm f/4, and 135mm f/3.5 all with optional accessory viewfinders as needed. Canon IIIA with 50mm f/1.8 Canon, $250-$400; body only $150-200; Canon IVF with 50mm f/1.8 Canon, $325-$400; body, $250-$325; Canon IVS, $250-$350, about $100 more with 50mm f/1.8 Canon lens.

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Canon IIIA shown with the legendary 50mm f/1.8 Canon rigid mount lens that Canon offered in various forms until the last of the screw mount Canons.

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Canon IVF: It's basically an upgraded Canon IV incorporating all the improvements built into the Canon IIIA.

Canon IVSB2: Announced in 1953 and produced from 1954 to 1956 Canon historian Peter Dechert noted, “The Canon IVSB2 was, after the Canon IIB, the second most important rangefinder camera in Canon’s history.” He concluded that “it surely was the finest bottom loading 35mm rangefinder camera anyone has ever built.” It still had separate fast and slow shutter speed dials, this time separated at 1/30 sec, but an independent spindle rotating with the fast dial included the fast speed index mark so the shutter speed could be set with the shutter either unwound or wound. All speeds were in the modern geometric sequence, with T,1,2,4,8,15, X and 30 on the locking slow speed dial and B, 30-1, X, 60, 125, 250, 500, and 1000 on the fast dial. The X sync setting corresponds to about 1/45 sec. Another major improvement was a slightly larger eyepiece with greater optical magnification which made viewing and focusing noticeably easier. Like earlier models it’s compatible with Canon’s excellent base plate trigger winder and it features the new solid diecast body construction with a rail on the side below the rewind knob, providing a robust flash connection that’s far superior to a PC outlet.

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Canon IVSB2: Last and best of the bottom loading rangefinder Canons it has a larger viewfinder and improved shutter mechanism.

Canon claimed that the IVSB2 was the world’s first camera synchronized for electronic flash, aka strobes. Whether that was literally true or not the camera was widely adopted by pros, and it was the first Canon to qualify as a best seller in both North America and Europe. Note: This camera is often listed by sellers as a Canon IVS2 or as a Canon IVSB so check the features carefully to be sure you’re buying the right model. For the record, the Canon IIS2 is basically a IVSB2 with a top shutter speed of 1/500 sec; the Canon IID2 and IIF2 are essentially unsynchronized versions of the IIS2. The Canon IVSB2 currently fetches about $200-$350 body only; the Canon IID2 bodies in clean condition go for about $150-$250.

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The Ultimate Base Loading Canon Outfit: Canon IBSB2 with 50mm f/1.8 Canon lens in chrome, all in mint condition.

The great base-loading Canons were superseded by the back loading Canon VT of 1956-1957 and its glorious successors, which will soon be covered In my follow-up piece cleverly entitled “In Search of the Best Vintage Canon Rangefinder 35, Part 2.”
 
Thankyou for this- and I look forward to Part 2.

I have the III and IIIa of the bottom loaders- the VF/RF cleaned up well, the coating for the beamsplitter really held up.

I'm happy that the original owner of my Canon III bought the Nikkor 5cm F1.5 to go with it, the camera came with the sales receipts from the PX.
 
I often peruse the ads for cameras and see Canon's listed but didn't know the differences between models. This will help cure that ignorance. Thanks!
Really looking forward to Part 2 as I'm the keeper of a VI-T that was my dad's.
 
I own and use several bottomloader Canons including the IVSB2 with its so-called improved viewfinder but in my older years I find my Leica IIIf RD easier to use with its separate viewfinder and rangefinder.
 
Please note that the requirement for the "Made in Occupied Japan" mark was removed in December 1949 and "Made in Japan" or just "Japan" was permitted as a substitute for export products. However, most cameras continued to sport the MIOJ mark for at least another year, perhaps due to a requirement of the CPO—which is where most cameras were sold. Nikon dropped the MIOJ mark in April 1951. I do not know when Canon dropped the MIOJ mark, but I doubt the company was still using in in 1952.
 
Thank you Jason for this wonderful thread. I "may" have a IVSB2, but I need to check it out next to be sure it is this model or not.
 
Probably best for another discussion- I note that my early Canon Serenar lenses are not marked as to the country of origin- the 5cm F2 and 5cm F3.5 collapsible. The same is true for the Minolta Chiyoko lenses up to the 5cm F1.8. Nikon- everything seems to be marked, cameras, lenses, finders, cases. I've had more MIOJ metal rear lens caps come on Canon lenses than any other.
 
Which model is my Canon? How can I tell which model I have?
Serial Number: 116684

It may be a IVSB or IVSB2. Right?

I may have found the answer!
https://flynngraphics.ca/iv-sb/
Your camera would appear to be a Model IV Sb. It has the following distinguishing features:

No Model Name on Camera
Top Shutter Speed 1/1000th
Has a Slow Speed Dial
Top Slow Speed 1/25th
Slow Speed Dial has a Lock
Dates: Dec 1952 thru Mar 1955

Produced: 34,975

Ser. Nos.: 65760 thru 160000

This was the first Canon with “X” sync for electronic flash and it was the first model to be widely accepted outside of Japan. This camera is actually a Model IV S with the addition of the “X” sync and a lock on the slow speed dial to keep it firmly at 1/25th when the slow speeds were not being used.
 

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Very nice review. I picked up an almost mint IVBS2 a few years back that has quickly become one of my favorite rangefinders. I just bought a collapsible Canon 50/3.5 to go with it. A nice autumn camera, the camera/lens combo will easily fit into the pockets of my fall coat.

Jim B.
 
Please note that the requirement for the "Made in Occupied Japan" mark was removed in December 1949 and "Made in Japan" or just "Japan" was permitted as a substitute for export products. However, most cameras continued to sport the MIOJ mark for at least another year, perhaps due to a requirement of the CPO—which is where most cameras were sold. Nikon dropped the MIOJ mark in April 1951. I do not know when Canon dropped the MIOJ mark, but I doubt the company was still using in in 1952.

I defer to your legal expertise but based on examining actual Japanese export cameras I own, have owned, or have used MIOJ can be found on Japanese cameras dating as late as 1951 but those made in 1952 or later always say Made in Japan. I don’t think I said that 1952 Japanese cameras still bear MIOJ markings but I will check my statement and revise it if necessary.
 
Well you two made me look at my Canon III that came with the original case and the Nikkor-SC 5cm F1.5. The SN of the camera is 53067, putting it into 1951. Canon Camera Company Inc. The camera itself is not marked with the country, no "Made in Occupied Japan", no "Japan". Looked at the case: detach the removable top half, now you can see the "Made in Occupied Japan" marking. It is normally covered by the flap. Someone thought that out. The Nikkor-SC 5cm F1.5 that came with it is from the 905 batch. I spent 20 years looking for that lens after reading "How the West was Won" in Pop Photo. I suspect that parts were made in batches, got sold until used up. Having an MIOJ stamped on a base plate or a leather case was not going to stop it from being sold after the rules were changed. Canon IIIa- "Japan" on the top plate, SN 70400.

4-digit Leotax D-IV that came with the 74th 5cm F1.5 Simlar made, "Made in Occupied Japan" around the release of the base-plate, engraved and painted in. My Nikon M and M with Sync- "Cheesy" Made in Occupied Japan on the camera leather, not in the metal.

Dechert's Canon Rangefinder Camera shows the early Canon IIIa (61K sn range) without the "Japan" marking, has the same top plate engraving as my Canon III, at the beginning of IIIa production, 12/1951. Sometime into the production "Japan" is added to the top plate, the one shown is at 69K. That would be well into 1952.
 
Hi,
Most of these markings (MIOJ (Made in Occupied Japan), CPO (Central Purchasing Office), <Japanese ideo>, "Made in Japan", "Japan", <EP> (Exchange Post, but there is some debate about this mark meanings) and US Army Signal Corp) are explained in chapter five of my book "CANON M39 Rangefinder LENSES 1939-1971" released in 2008.
Also, there is a four-page timeline of Canon Co from 1932 to 1971 explaining when events happened and when Canon Co discontinued them or much to my knowledge!
Then there is the rest of the stuff which all took 9yrs to research.
Now how is that for some self-promotion of my book....sorry!
Cheers Peter K
 
OH, meant to add
Thanks Jason Schneider on the article about Canon bottom loaders and am looking forward to you article on the back loading Canon V models.
Always regarded Canon RF era as a bit of a "sleeping giant" in the collecting world due to the lack of published info although since the advent of the internet that is changing.
Cheers
 
I am glad to have collected many Canon RF lenses. I have only one Canon RF camera though.
 
I was asked to sell this Canon rangefinder a few years ago.


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As far as I could make out it was a S-II. But I've never taken a lot of interest in Canon rangefinders really. It seemed well made, but the quality of the chrome didn't impress me. I felt it was let down by its finish. To be fair, I have no idea of the challenges which must have been involved in making cameras in Japan in the late 1940s but I imagine they were extensive.


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An additional lens came with the camera.


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From memory, when I looked it up, the 5cm Serenar was a reasonably early one in Canon's history, one of the first few thousand they made, if my recollection is correct.
Cheers,
Brett
 
....My Nikon M and M with Sync- "Cheesy" Made in Occupied Japan on the camera leather, not in the metal...

Late Nikon M and Nikon MS would have the MIOJ mark stamped in the back leather on the lower left side. Almost impossible to see and in many cases worn away. Also, some Nikon MS, mostly ones exported to the United States in January 1951, have Japan engraved on the accessory shoe. A rare variant.
 
No "Japan" on the hot shoe, and this is not a Canon camera, but does relate to Popular Photography.

The owner of the Nikon Ever-ready case had his name on the top. "James A. Forsythe III". Fed it into Google.
He was one of the winners in the June 1948 Pop Photo contest for Army and Air Force Photography Contest. I picked up the rough MIOJ case for $5, fun of collecting.
 
I've had many Barnack clones, but only one was a Canon, an S-II. It didn't seem to be up to the same level of finish as my Niccas, as mentioned by @Sarcophilus Harrisii above, but 70 year old cameras can vary quite a lot depending on what they've endured (or not) during that time, so I didn't draw any conclusions from that.

What attracted me to it was the 50/3.5 collapsible Nikkor that was attached to it. :)

Pretty cool that we have contributors of the caliber of @Jason Schneider and @CanonRFinder with us here. :)
 
I think age and handling have a lot to do with condition 70+ years after production.
I bought a Nicca III with collapsible Nikkor 5cm F2- CLA'd the lens myself, sent the camera to Youxin Ye. Complete overhaul, new curtains, new beamsplitter. I also sent the Leotax D-IV to him, same issues. The curtains were brittle and broken. Minolta 35 curtains also tend to be brittle and broken.
The Canon III: had not been used in a long time, the 85/2 Serenar had internal haze, cleaned up well. I popped the top and cleaned the VF/RF, came out beautifully. The chrome finish on the Canon III shows no pitting, the curtains are fully operational and look good. Chrome on my Tanack IV- lots of pitting. Most of the cloth curtains in the Canon and Nikon bodies that I have are good. The Leotax, Nicca, and Minolta 35- did not fare as well.
 
The VI-L is my favorite Canon screwmount, but the IVSB2 is still on my wishlist. Thanks for this excellent overview.
 
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