hap
Well-known
I have a D90 around. Was devastated that it did not have a CCD sensor to play with.
Here are some photos taken with my Digilux 2 and its CCD sensor. They seem to me to have a lush quality that I don't remember ever seeing from other cameras. I don't know if it's the CCD sensor that made this difference, or the way the Digilux 2 processed the images.
I didn't do any enhancements in post. If any of these photos strike you as, well, striking, at least as far as color goes, could you say what makes them that way? In my mind they stand out from the usual stuff. I believe it's partly due to the brilliant Colorado sunshine, and partly to the vivid colors of the subjects themselves. Do you think there could be something else contributing, e.g. the CCD sensor or the in-camera processing? What words come to mind that describe the special character of these colors?
that's a cool town! Where is it in Colorado?
CMOS sensors used today output a Digital Signal that has undergone some processing before it leaves the chip. (The CMOS sensors used in the Kodak DCS 14MPixel cameras output an analog signal). The Output undergoes much more processing before being written to non-volatile memory.
CCD (non-Hybrid) detectors output an analog signal that is digitized off-chip and is stored with a minimum of processing. The fill-factor of CCD detectors is greater than the FSI CMOS detectors used in the M240 and M10..
The output of my CMOS based Nikon Df is to my liking. But- looking at the NEF file, pain in the butt to write code for. So I only wrote code for the CCD M8, M9, and M Monochrom. A few lines of code to make into an image file. I could look at DCRAW to do the Nikon image, but it's already a processed image before it leaves the camera. The CCD- much closer to raw data.
One other factor between detectors, CMOS or CCD, is the specific chemistry and layout of the chip and the effect on spectral response. Kodak introduced Indium Tin Oxide to improve blue response some 20+ years ago, before some of the other manufacturers. Of late, the Infrared Response has been bred out of newer CMOS detectors. The IR response of the Kodak CCD detectors was much higher than the CMOS detectors used now.
Leadville.
How's that new Pixii working out for you? Are you going to return it and stick with your vintage CCDs? I sure wouldn't want to spend $3000 on a camera and not be able to push it up to 11.
According to family records....I have a distant relative lived in Leadville at the turn of the century and kept a saloon going. POssibly as early as late 1880's.
The brightly lit streets and dark cloudy background is what what I find most appealing about those photos.
Yes it was a magic day, as far as light is concerned. I could believe that had as much to do with it as the CCD sensor. And yet, that Digilux 2 did put out great color!
Maybe they even knew Baby Doe Tabor! Leadville was her home.
Sounds like someone of ill repute. If true then many "knew" her.
There is no such thing as CCD vs CMOS.
The photo-diode in the photo sites of CCD and CMOS sensors both convert electromagnetic radiation in to photo electrons. The photo electrons accumulated in each photo-site are stored on-chip as an electric charge. After the shutter closes, the charge is converted into analog DC voltage. The result is a spatial array of DC voltages.
Electrons, electrical charge and DC voltages in CCD and CMOS photo sites are no different than electrical charge and DC voltages in any electric (flashlight) or electronic devices (h-fi amp). They possess no aesthetic characteristics. The electrons, electrical charge and DC voltages alone can not be the source of aesthetic differences in rendered images from CCD and CMOS sensor assemblies.
The M9 rendered image perception you prefer is authentic. But it has nothing to do with CCD vs CMOS.
The difference has everything to do with:
- the sensor cover glass optical properties (including the IR filter film)
- the sensor assembly micro-lens array optical properties
- the sensor color-filter array optical properties (the R, G and B filter films)
- the proprietary demosaicking algorithm(s) used to render in-camera JPEGs and, or post-production JPEGs from DNG files.
The CCD used in the M9 and M Monochrom, with the S8612 or BG-55 cover glass has sensitivity into the near UV. The Red dye in the Bayer filter does a poor job with UV. I use a UV filter, preferably an L39 or equivalent to get rid of Purple Fringe on fast lenses.