Fjäll
■̷̛̈́̉̓́̽&
cary
Well-known
I have been a Nikon F user for fifty years and still use it. It does everything I need it to. It feels like an extension of my hand. When I have to photograph something important I use a Nikon F. I own eight of them, attached is a photo of my first one with an 85mm f1.8 Nikkor. I used this F in high school as a yearbook photographer, in college at Brooks Institute of Photography and a couple of assignments at work, I am a retired Industrial/Scientific photographer.
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D
Deleted member 65559
Guest
Exactly Fjåll, so much of choosing a camera, a tool, a musical instrument has nothing to do with which is better. I first Nikon product was a Nikkormat FTn. I was a student with not much money.... but the big clang or of shutter and the serrated edge of the film advance lever didn't sit well with me.....within days i took if back and got a plain prism F. Like the Leica M3 or M2, there's just something quintessentially 'right' about the Nikon F.
Subsequently I used F2, F3 (great ergonomics w the MD4), F4 (least favourite), F5 (swansong....big battery problems with a new one back in the day) & FM & FM2 (good cameras albeit i missed the large viewfinder)......but the F remains something special.
Clearly though Pal K doesn't trouble himself with making decisions over which one to own....
Subsequently I used F2, F3 (great ergonomics w the MD4), F4 (least favourite), F5 (swansong....big battery problems with a new one back in the day) & FM & FM2 (good cameras albeit i missed the large viewfinder)......but the F remains something special.
Clearly though Pal K doesn't trouble himself with making decisions over which one to own....
cary
Well-known
Nitroplait
Well-known
The F is quieter. The brutalist look agrees with my eyes.It might be sample variation but the F sounded quieter. It looks even better too. Both had the plain prisms.

mconnealy
Well-known
I found an F2 with a photomic finder and a Nikkor P 105mm at a thrift store a few years ago. The F2 worked fine except for a noisy shutter. I later bought an F on craigslist mostlly for the plain finder, but it looked and worked like new. I ultimately gave the F2 to a friend. The F and the 105 are a great combo and the F shutter is one of the quietest I have. I like the meterless simplicity and reliability of the F.
D
Deleted member 65559
Guest
Exactly Fjåll, so much of choosing a camera, a tool, a musical instrument has nothing to do with which is better. I first Nikon product was a Nikkormat FTn. I was a student with not much money.... but the big clang or of shutter and the serrated edge of the film advance lever didn't sit well with me.....within days i took if back and got a plain prism F. Like the Leica M3 or M2, there's just something quintessentially 'right' about the Nikon F
BillBingham2
Registered User
Like many here, I grew up with a Nikkormat FTn and loved it. It felt like an old friend picking up an Nikon S2 after several years with my M4-P and M6. Still to this day I kick myself when I gotinto Leicas there were many S2, SPs, and lenses languishing on shelves at several dealers in NYC. But back to your question.
While I currently have an F2 (plain prism) and have sold off all my Fs, I still love the feel of the F in my hand. If you can get over the removeable back vs swing open, not a lot of difference. Smoother curves, plastic advance lever (though very late Fs have one), same focusing screens, both are fine camera.
I'd pick the F just because of the feel in MY hand.
My recommendation is pick up the F and hunt for a good reasonably prices plain prism for your F2.
B2
While I currently have an F2 (plain prism) and have sold off all my Fs, I still love the feel of the F in my hand. If you can get over the removeable back vs swing open, not a lot of difference. Smoother curves, plastic advance lever (though very late Fs have one), same focusing screens, both are fine camera.
I'd pick the F just because of the feel in MY hand.
My recommendation is pick up the F and hunt for a good reasonably prices plain prism for your F2.
B2
Godfrey
somewhat colored
I’ve had and used both the F and F2 cameras quite a lot, albeit all in the now distant past. Much as the F2 was technically superior, i have always preferred the F.
In fact, my last and only Nikon camera now is an early, plain prism F that i rescued from a friend's basement where it had languished, lens less, in an open box under s table for more than a decade. I had it serviced, and now have two remaining lenses for it (Nikkor 28/2 and Micro-Nikkor 55/3.5). Dont use it much but its my favorite Nikon.
G
In fact, my last and only Nikon camera now is an early, plain prism F that i rescued from a friend's basement where it had languished, lens less, in an open box under s table for more than a decade. I had it serviced, and now have two remaining lenses for it (Nikkor 28/2 and Micro-Nikkor 55/3.5). Dont use it much but its my favorite Nikon.
G
Pál_K
Cameras. I has it.
It has to be first choice camera for a sixties weekend.[/
If any camera symbolized press photography in the 1960’s, it would have to be the Nikon with an FTN finder. Look at any photo from the 1960’s of a crowd of press photographers and I think fully half of them had FTN’s. So distinctive. Interestingly, the other photographers had a diverse mix of cameras - from someone holding a TLR above his head (upside down so as to see the viewing screen) to those with ciné cameras.
Canyongazer
Canyongazer
. I used this F in high school as a yearbook photographer, in college at Brooks Institute of Photography
Hey Cary...we were at Brooks around the same time, 1969-1971, me with a Canon FT...I switched to Nikon F in 1972.
I was a motion picture major...enjoyed the days at the Montecito campus. (altho Emile Dobro sure was a grouch ;-)
[/QUOTE]
Hey Cary...we were at Brooks around the same time, 1969-1971, me with a Canon FT...I switched to Nikon F in 1972.
I was a motion picture major...enjoyed the days at the Montecito campus. (altho Emile Dobro sure was a grouch ;-)
[/QUOTE]
cary
Well-known
I was at Brooks in 1976 and graduated in December 78'. Dobro was gone when I was there, but I heard several stories. I lived in Isla Vista and never had a problem finding models.



They are both great cameras. The Selenium Meter works and is accurate, hard part- finding the correct fitted case for it mounted on the camera.
ChrisPlatt
Thread Killer
I loved the Nikon F I had in college and sometimes miss it.
If a nice one came my way at the right price I might bite.
However today I am happy to use Nikon F2 cameras, which are more serviceable today.
Chris
If a nice one came my way at the right price I might bite.
However today I am happy to use Nikon F2 cameras, which are more serviceable today.
Chris
x-ray
Veteran
Nikkor24_f28_2 by fiftyonepointsix, on Flickr
nikonf4 by fiftyonepointsix, on Flickr
NikonF_CliponMeter by fiftyonepointsix, on Flickr
They are both great cameras. The Selenium Meter works and is accurate, hard part- finding the correct fitted case for it mounted on the camera.
Twenty five years ago I picked up two F’s with non meter prisms in near mint condition. One has the clip on selenium meter and it’s still working and accurate.
farlymac
PF McFarland
A Nikon F with a brace of lenses makes for a very pleasant shooting experience.

Four Lenses and an F by P F McFarland, on Flickr
PF

Four Lenses and an F by P F McFarland, on Flickr
PF
Malcolm M
Well-known
If any camera symbolized press photography in the 1960’s, it would have to be the Nikon with an FTN finder. Look at any photo from the 1960’s of a crowd of press photographers and I think fully half of them had FTN’s. So distinctive. Interestingly, the other photographers had a diverse mix of cameras - from someone holding a TLR above his head (upside down so as to see the viewing screen) to those with ciné cameras.
So I'm not the only one who watches the photographers in old newsreels.
Retro-Grouch
Veteran
So I'm not the only one who watches the photographers in old newsreels.
Are you kidding? It's one of the most delightful forms of camera porn!
cary
Well-known
ChrisPlatt
Thread Killer
So I'm not the only one who watches the photographers in old newsreels.
A true expert can identify the models present but not shown at a press conference, merely by the characteristic sounds of the motor drives...
Chris
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