Godfrey
somewhat colored
I've not noticed start-up time on any of my Leica M digitals to be an issue. I have no experience with the M11 as yet, but M9, M-P240, M-D262, and now M10-M and M10-R all wake up quickly enough from "OFF" and also wake from sleep quickly enough for the way I use the cameras. (When I'm shooting, I never switch the camera OFF, I just let it fall asleep; I tap the shutter release as soon as I start to lift the camera and it's always ready by the time I have it at my eye.) Perhaps I just adapted to their behaviors, like I've adapted to the M4-2 or the Hasselblad wind-up-and-cock-the-shutter timings, and even the Light L16 startup/wake/release-delay behaviors.
Machines act based on how they're made; humans adapt. 🙂
Regards provenance, well, unless you're doing photography in the realm of forensics where the provenance of the photos is very critical (that they were made at a specific time and place and for a specific purpose is important to the acceptability of the imaging), the issue of submitting raw files along with the edited image files rarely comes up ... I've never submitted raw files to anyone unless it was specified in my shooting contract to do so. The key with the M11-P credentials is that you *can* absolutely, deterministically say that "this camera made this image, it was not generated algorithmically" if the issue does come up in the licensing of the images. The total context of the image making is thus guaranteed to be "real" and not "generative".
What a weird world that's come into being... 🤪 ...Maybe I'll just stick to projects that deliver original, out-of-the-camera Polaroid instant prints from now on. LOL!
G
Machines act based on how they're made; humans adapt. 🙂
Regards provenance, well, unless you're doing photography in the realm of forensics where the provenance of the photos is very critical (that they were made at a specific time and place and for a specific purpose is important to the acceptability of the imaging), the issue of submitting raw files along with the edited image files rarely comes up ... I've never submitted raw files to anyone unless it was specified in my shooting contract to do so. The key with the M11-P credentials is that you *can* absolutely, deterministically say that "this camera made this image, it was not generated algorithmically" if the issue does come up in the licensing of the images. The total context of the image making is thus guaranteed to be "real" and not "generative".
What a weird world that's come into being... 🤪 ...Maybe I'll just stick to projects that deliver original, out-of-the-camera Polaroid instant prints from now on. LOL!
G