I agree with you, but when Fuji brought out the first GFX100 their marketing guff was full of crap about how their wonderful ibis system was the only thing making 100mp handheld possible.I'm not sure I understand the obsession with IBIS for a leaf shutter camera with the equivalent of a 28mm FoV lens in FF terms. Image stabilization is primarily a tool to extend hand-holding ability for lower light situations with modest telephoto lenses, as far as I remember companies explaining it.
G
Another review is here:
I don't think I could justify this with 28mm equivalent lens at f4 and no IBIS. I would prefer a 35 or 50mm equivalent. I think getting the GF 50mm pancake for my GFX100S would be a much better proposition for me personally. They can be had for about £600 used. The pre-order price for this is £4699.
I've never liked the X-Trans files I've processed over the years. Every time Fuji releases a new camera with x-trans, I download some sample raw files and run them through Lightroom and one or two other processors to see if this is finally the x-trans camera I'm going to buy. Nope, never found one. It's telling that their medium format cameras all use straight CMOS and not x-trans variants.What I don't like much is when companies just spread misinformation in order to sell their products. And while I really like Fuji cameras and have had quite a lot of them over the years (more than any other company), I despise the way they promote them. Fuji has done it quite a bit over the years:
1. You don't need IBIS with leaf shutter - They are independent so you do
2. You don't need IBIS with a 35mm lens - Fuji said that a GFX100II with a 30mm has a 6.5 stops improvement.
3. XF mount is not compatible with IBIS - It is
4. X-Trans sensors are better than Bayer for color - The opposite is true
5. APSC sensors do not have a big quality difference to FF ones - FF has a bigger difference to APSC than their MF to FF.
6. You can't fit IBIS into an X100 sized camera - They did it
7. Their film simulations cannot be implemented with cameras with older processors - It is just changing the values in 3DLUTs so computationally it is the same.
Thank god! X-trans is a total marketing SCAM tying it to the Film Sims they came out with! Had nothing to do with the profiles at all. I had an X-Pro2 loved the camera hated the sensor. The first X100 had a Bayer sensor then switched to X-Trans people brought the sensor hype. Although Lightroom has gotten better with processing X-trans but you have to jump though hoops... Its silly.I've never liked the X-Trans files I've processed over the years. Every time Fuji releases a new camera with x-trans, I download some sample raw files and run them through Lightroom and one or two other processors to see if this is finally the x-trans camera I'm going to buy. Nope, never found one. It's telling that their medium format cameras all use straight CMOS and not x-trans variants.
Completely agree. Actually, get rid of Bayer too and just stick with monochrome sensors🙂 Now they do have beautiful output.Thank god! X-trans is a total marketing SCAM tying it to the Film Sims they came out with! Had nothing to do with the profiles at all. I had an X-Pro2 loved the camera hated the sensor. The first X100 had a Bayer sensor then switched to X-Trans people brought the sensor hype. Although Lightroom has gotten better with processing X-trans but you have to jump though hoops... Its silly.
There was a period where X-Trans sensors had good and somewhat unique output. Mostly in the 16mp era. When you think about it, pixel size, and data per pixel (& how it's processed/compressed) have a definite interplay with the color filter array. I think Fuji has held onto X-Trans for too long, but it had a legitimate period.Thank god! X-trans is a total marketing SCAM tying it to the Film Sims they came out with! Had nothing to do with the profiles at all. I had an X-Pro2 loved the camera hated the sensor. The first X100 had a Bayer sensor then switched to X-Trans people brought the sensor hype. Although Lightroom has gotten better with processing X-trans but you have to jump though hoops... Its silly.
That’s a bold move. I sometimes think of doing the same with my GR III, but I’m pretty sure I’d miss the VF and framelines experience. The new Fuji might fill that need nicely.A few months ago I decided to go all in on fixed lens compact cameras….
I picked up a used optical viewfinder for the GRiii - that remains pocketableThat’s a bold move. I sometimes think of doing the same with my GR III, but I’m pretty sure I’d miss the VF and framelines experience. The new Fuji might fill that need nicely.
Let’s hope it’s not another Fuji camera that no one is able to get their hands on.
A number of cameras offer panoramic ratios now. I use it on my S1R pretty regularly. With the 24mm it is almost exactly the same FOV as the xPan with the 45mm. About 26 megapixels in that mode or nearly 100 (with full color at every pixel) in high resolution mode but that has to be cropped later and needs a tripod. The S1R II doesn't need a tripod for that mode but I don't know if it will shoot directly in high resolution with 65:24.I saw this coming because all the rumors talked about it ;-)
102 Megapixels sensor in 4:3 give enough pixels for the 65:24 crop. It's less than the price of a used Fujifilm TX-1 / Hasselblad X-Pan. Still pricey.
X-Pan mode is so cool. The Panasonic S5 and S1 have it, and the Leica SL2-S (and presumably the SL2) has a 3:1 mode which is close to x-pan.A number of cameras offer panoramic ratios now. I use it on my S1R pretty regularly. With the 24mm it is almost exactly the same FOV as the xPan with the 45mm. About 26 megapixels in that mode or nearly 100 (with full color at every pixel) in high resolution mode but that has to be cropped later and needs a tripod. The S1R II doesn't need a tripod for that mode but I don't know if it will shoot directly in high resolution with 65:24.
Sigma has 21:9 (2.33 instead of 2.7) and the fp L has almost 39 megapixels in that crop.