Your underrated lenses

I've always tended to buy lenses (or cameras with fixed lenses) that had good reputations so few of my lenses have ever been "underrated". About the closest I come to a lens with that description was my old favorite Nikkor 35mm f/2 AIS, which many people at that time (what, early '80s?) seemed to regard as an underperformer ... Never seemed that way to me, I made thousands of photos with it, sold many of them, and no one has ever said anything about the lens performance in my photos being sub-par.

G
 
Mounted on my Lumix GM1 with a helicoid for focus I have to agree that the Argus 50mm f3.5 coated Cintar is a lot of fun and has produced more than just interesting photographs for me. Not too sure that its worthwhile going out buying one but then who can rubbish a lens if it gives you that 'fun' element.
( I wound masking tape round the barrel to fit it into the helicoid.)
 
The 3.5cm f3.5 Elmar is a very underrated lens. I paid $75 on Ebay for this one. I no longer have it since i trimmed down my collection of 35mm lenses. But i got very good results from it.
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The Nikon Series E 50mm and 100mm, both very good. And lightweight.

The m4/3 Olympus pancake 17mm f2.8 kit lens, usually panned on websites but my copy is excellent with great color rendition.

The Leica M Tele-Elmar 135mm f4, difficult to use with only a rangefinder patch but on a mirrorless camera, OMG is that lens sharp. Cheap for a Leitz lens.
 
The Nikon Series E 50mm and 100mm, both very good. And lightweight.

The m4/3 Olympus pancake 17mm f2.8 kit lens, usually panned on websites but my copy is excellent with great color rendition.

The Leica M Tele-Elmar 135mm f4, difficult to use with only a rangefinder patch but on a mirrorless camera, OMG is that lens sharp. Cheap for a Leitz lens.
Yes, the E 35 is also good, and compact.
 
I seem to have good success with the tele- elmar on an old fashioned visoflex. I use a v III viso....also works well on the bellows II but that setup can give me stray light reflection in certain cases....a deficiency of the bellows, not lens.
 
The 3.5cm f3.5 Elmar is a very underrated lens. I paid $75 on Ebay for this one. I no longer have it since i trimmed down my collection of 35mm lenses. But i got very good results from it.
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You remind me of my other so-called underperformer: the Leica Hektor 135mm f/4.5. The first one of these I used was my father's: he had it set up with Visoflex mount on his IIIf and used it to record the dental reconstruction work he did. I bought one again, thirty or so years later, because I saw it in a listing for under $185 (finding the correct lens hood and cap was almost as much!), this time in M-mount, and have used it on various Ms over the past ten years.


Yellow Jacket Trap & Fence - Santa Clara 2023
Leica M10 Monochrom + Hektor 135mm f/4.5, Green filter



Leica M10-M + Hektor 135mm f/4.5

Can't say as I see much wrong with it. The biggest challenge is learning how to accurately focus a 135mm lens with a rangefinder ... It's much easier to critically focus using the EVF, although I didn't for this photo. 😉

G
 
I am not sure if this is "underrated" as much as it is not widely known (at least outside of the former Communist bloc). The Carl Zeiss Jena 25mm f/4 was a retrofocal wide made during the 1960s mainly in "Zebra" aesthetic for both M42 (auto diaphragm to boot) and Exakta mount. After it was discontinued, CZJ did not attempt another 24mm/25mm SLR lens. It is has a @ 0.2m minimum focus, incredible distortion control, and is sharp as heck. Suggests to me that retrofocal wides were not necessarily inferior to subsequent designs, just probably much more expensive to produce. 🙂. I only have one image saved on my computer here -- but I regularly post on my IG with photos from it.

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The CZJ wide angle lenses are all great performers, remarkable given how early they appeared on the scene.
I've recently acquired an Enna 4/24 and need to properly test it. It is a very compact design when compared to the CZJ 4/25 or the ISCO 4/24, so I'll be pretty impressed if it can outperform those lenses.
 
The CZJ wide angle lenses are all great performers, remarkable given how early they appeared on the scene.
I've recently acquired an Enna 4/24 and need to properly test it. It is a very compact design when compared to the CZJ 4/25 or the ISCO 4/24, so I'll be pretty impressed if it can outperform those lenses.
Wow, those are some fun lenses! I would equally be interested how the CZJ would perform against them
 
I am not sure if this is "underrated" as much as it is not widely known (at least outside of the former Communist bloc). The Carl Zeiss Jena 25mm f/4 was a retrofocal wide made during the 1960s mainly in "Zebra" aesthetic for both M42 (auto diaphragm to boot) and Exakta mount. After it was discontinued, CZJ did not attempt another 24mm/25mm SLR lens. It is has a @ 0.2m minimum focus, incredible distortion control, and is sharp as heck. Suggests to me that retrofocal wides were not necessarily inferior to subsequent designs, just probably much more expensive to produce. 🙂. I only have one image saved on my computer here -- but I regularly post on my IG with photos from it.

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Most of Josef Koudelka’s ‘Gypsies’ was shot with one of these. On film it’s tremendous.
 
51st by Berang Berang, on Flickr

weird by Berang Berang, on Flickr

The ISCO 4/24 is an interesting lens, it's very, very large, and it was the widest lens available for SLRs when it was introduced. However I don't think it's as good of a performer as the CZJ 4/25. It's a bit soft in the corners, there's some light fall-off at large apertures, and a very slight, but still noticeable barrel distortion. If it could be called underrated it'd only be because most people have never heard of it at all.
 
My vote is for a somewhat obscure one from the 50's, maybe early 60's. The Zeiss 40mm F4.5 Tessar. This was made in Praktina, M42, and (I think) Exakta mount. I own the Praktina mount version. It's not a fast lens, but it delivers sublime results in my experience. The Praktina version is not too expensive. The focal length is also interesting, being somewhere between a wide and standard lens, it's quite convenient as a carry around lens.

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Praktina IIA, Zeiss 40mm F4.5 Tessar, Fujicolor 200
 
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