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raid said:Solution for the puzzle:
#1 is the 35/1.5
#2 is the 35/3.5
#3 is the 35/1.8
#4 is the 35/2.0
#5 is the 35/2.8
It seems that the vintage Canon lenses are resistant to flare.
At least at 4.0 it is difficult to figure out which lens was used here.
Raid
dexdog said:Raid, the test surprises me- there is not a great amount of difference between the Canon lenses at f4. I was surprised that the flare was not more pronounced on the Canon 35/1.5. When I have used this lens outside, flare has always been an issue, and I always tried to remember to bring a hood. Did you use a hood on these shots? I am guessing that you didn't, but would be interested in finding out anyway.
raid said:I will soon have with Roland's help about 85 images ready to show here via a link. The labeled images already have been uploaded, and Roland will next (I think) add some improvements.
I encourage you to compare the shots taken with 35mm to the shots taken with 50mm lenses in the previous lens test. With the 35mm lenses I don't see any bokeh in my set-up but with the 50mm lenses we could clearly see the bokeh characteristics with a slightly different set-up. Why?
Raid
Huck Finn said:My guess is that it's because the 50 mm focal length has shallower depth of field & therefore more OOF area to show bokeh characteristics. In addition, the slower 35 mm lenses, of which there are a number in this test, have even further reduced opportunity for much OOF area. So far, only shots at f/4 have been posted, which is not the best opportunity to see OOF area at 35 mm focal length.
ferider said:That is because the left light bulb in the Summilux pic is switched off (on the ferider site). 😉
Raid, do we have pictures of the Summilux with the left light bulb switched
on, and at f2 and higher ? Just noticed this. Or are we missing some in the gallery ?
Thanks,
Roland.