1 40mm or 35mm plus 50mm ?

First you need to figure out how YOU see the world. Spend a day walking around and finding pictures to take, both from the standpoint of the area covered and from the correct distance to give you the correct relationship of foreground to back ground. All you need is a camera with multiple frame lines handy, no film, no lens. Now look through the finder and see which frame line matches up with what you're seeing. Some people mostly "see 35", others "see 100", or whatever. The focal length that best matches YOUR outlook on the world should be your main lens. Pick other lenses, wider or narrower, as needed. Then practice learning what they cover. At some point you'll be able to pick the exact lens you need for a given shot without giving it a second thought. A 35 and a 90 should cover you for better than 90% of your needs. Then add a 21 and finally a 180. Most people really have to look for excuses to justify longer or wider. Also consider that rather than blowing all that money on every piece of glass that intrigues you you might be better off buying more bodies with the money. Changing lenses is a royal pain. Far easier to just grab the camera with the correct lens. Run out of film in the body with the lens you're using? Practice grabbing one lens in each hand and pressing the lens release buttons with your thumbs, switch the lenses between bodies, and you're good to go! Practice The Big Switch while running or jostling your way through a crowd...LOL. Change film when the action slows down. Sometimes it makes sense to change film when you've gotten up to 30 or beyond rather than waiting for 36. Better to lose a few frames than miss an important shot because you ran out.
 
Re 40mm

Re 40mm

This last week I exposed four rolls of Delta 100 and four rolls of Acros 100 via my R3A and 40mm f/1.4 Nokton multi-coated lens in our house with my Metz flash and got incredible results! By simply moving my body forward and backwared when necessary, I was able to duplicate the perspective of 50mm and 35mm lenses respectively, easily. Thus, I effetively had three focal lengths available. The R3A is a wonderful camera, using flash with it is easy, and the 40mm Nokton's capturing ability is Leica-like to my eyes.
 
Thanks tbm

Thanks tbm

I pulled the plug on a broken meter, leica cl for reletively cheap. I hope every thing else works on it. I havent seen it but have a 2 month warranty and 14 days to return it for any reason. I think I will put a nokton or rokor on it. I lke the rokors for size, but having a brand new nokton for the same price is appealing. Glad to here you like your Nokton, and Bessa.
 
Hats off to B2 and Mr. Kaplan for the great advice. I throw my weight behind the "anchor system", leg zooming, and, my favorite, paying attention to the framelines as you transition between focal lengths.

I have an R3A with a Nokton 40. I also wear glasses. No problems seeing the framelines. I just keep both eyes open and relaxed. I also wear contacts during lengthy sessions. The viewfinder on the R3A is so nice, sometimes I forget to blink! So, I carry eye drops, with rubber bands around the bottle to distinguish it from things like super glue.

Enjoy!
 
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