21mm f4 Skopar performance on m4/3?

ncc1701

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How does it perform?
Anyone tried it?

Shim needed?
Examples?

Thanks in advance
 
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I have never heard of an adapter needing shims. The adapter should simply be made to the right flange distance--there is no point in making it anything else.
 
Thanks Finder

Thanks Finder

Do you know if the fotodiox 4/3 to M is the right thickness / distance?

I have never heard of an adapter needing shims. The adapter should simply be made to the right flange distance--there is no point in making it anything else.
 
Do you know if the fotodiox 4/3 to M is the right thickness / distance?

With Micro 4/3 that is pretty much irrelevant.

You focus through the lens and it doesn't matter if the rangefinder is accurate or not.
 
With the exception that, if the adapter is made out-of-tolerance too thick, you won't be able to achieve infinity focus.

Not that it matters, since you can only see about 12 billion lightyears, which is far short of infinity. ;)

~Joe
 
Yes

Yes

I've read about the first generation of Novaflex (?) ones that would allow focusing beyond infinity, and that was a thickness issue that the company later fixed.

With the exception that, if the adapter is made out-of-tolerance too thick, you won't be able to achieve infinity focus.

Not that it matters, since you can only see about 12 billion lightyears, which is far short of infinity. ;)

~Joe
 
Not intending to be a jerk here, but why wouldn't one just buy the Panasonic 20mm f/1.7? Of course I say this in-spite of the fact that I use a CV 28mm f/3.5 and L 50mm f/1.4 on my G1 and enjoy it. It is just that I hear the reputation of the Panasonic lens has reached almost divinity so I wonder what advantage the slower CV 21mm might have.

Looking forward to hearing your responses.

Regards,

M
 
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Not intending to be a jerk here, but why wouldn't one just buy the Panasonic 20mm f/1.7? Of course I say this in-spite of the fact that I use a CV 28mm f/3.5 and L 50mm f/1.4 on my G1 and enjoy it. It is just that the hear the reputation of the Panasonic lens has reached almost divinity so I wonder what advantage the slower CV 21mm might have.

Looking forward to hearing your responses.

Regards,

M

because he has a RD1 and bessa R3 too
 
Not intending to be a jerk here, but why wouldn't one just buy the Panasonic 20mm f/1.7? Of course I say this in-spite of the fact that I use a CV 28mm f/3.5 and L 50mm f/1.4 on my G1 and enjoy it. It is just that the hear the reputation of the Panasonic lens has reached almost divinity so I wonder what advantage the slower CV 21mm might have.

Looking forward to hearing your responses.

Regards,

M

I zone focus with optical viewfinders. I enjoy working that way. I do have the 17mm m4/3 lens and manual focus does not feel as good.
 
fair question

fair question

In my case, I have a CV 21/4 (the 1.7 would be nice though), and second, I wouldn't want to spend $400 on a plastic lens that only works on a p&s, and not a real camera body :D

I have noticed that MF wides are soft in edges and corners, but on the other hand, the Panasonic 4/3s have tremendous noise issues, which is probably from taking a lens with extreme ~5-10% barrel distortion, and correction for it in-camera.

some results show chroma noise to be about 1/2 for the Olympus family, so the Olympus offerings, while still tiny p&s gadgets, should do better at say ISO 800+.

We'll see soon, but I'm still leery of this whole market, reminds me of when APS film started ...


Not intending to be a jerk here, but why wouldn't one just buy the Panasonic 20mm f/1.7? Of course I say this in-spite of the fact that I use a CV 28mm f/3.5 and L 50mm f/1.4 on my G1 and enjoy it. It is just that the hear the reputation of the Panasonic lens has reached almost divinity so I wonder what advantage the slower CV 21mm might have.

Looking forward to hearing your responses.

Regards,

M
 
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I have not noticed a large problem with the corners--it is equal to or better than the m4/3 17mm. But I wonder if the corner "problem" is simply folks not knowing how to use the DoF scales on the lens. You lose two stops, so at f/11, you use the f/5.6 scales.

I don't really care, but curvilinear distortion is corrected optically in the cv rather than digitally in the Panasonic 20mm. I also understand that CA is an issue in the Panasonic, I have not really noticed it in the cv, but I may not have come across the right conditions. The cv can flare and I have seen reflections when the Panasonic is used with a filter. I guess you can go on and on, but you pay your money and take the lens that suits you.

None of this will prevent you from taking bad pictures...
 
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I'm curious if the manual lens RAW files can be correct in Silky Pix for off-axis aberrations? Obviously the lens has no firmware chip to pass correction data to the camera, but in SP, shouldn't a person be able to apply corrections manually?

~Joe
 
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