The CCD M8 / 8.2 is still a popular and relatively expensive camera,
while the similarly sensored CDD Nikon D200 and CCD Fuji S5 Pro are forgotten and selling for about 1/10 the price (or less.)
Has anyone here actually compared their images carefully?
Stephen
I’ve used an M-E, and owned a Nikon D200 and still own a Fuji S5 Pro, so not exactly the same and as far as comparing their images “carefully” that’s a loaded word as I have only shot what I would characterize as “pictures” and have never put a tripod in front of a carefully chosen brick wall in my life, so there’s that. Nor will I. So, take the following with a grain of salt. Jumping to my conclusion: The Fuji S5 Pro is way more better. The Nikon D200 looks exactly like the Fuji, but the results could hardly be more different, because the “Super CCD” sensor in the Fuji is
unlike any other CCD sensor ever made. Very unlike.
I liked the M-E but thought the color depth and DR of the Fuji S5 Pro was notably superior, as sensor tests, google-able, have shown. But, they are completely different kinds of cameras RF vs. DSLR.
Files out of that particular Fuji sensor are easy to work with, but take a slight bit of rethinking to get the absolute best out of so it’s a camera that reveals the last measure of its charms slowly rather than instantly, but worth the time.
If Fuji had pursued that unique sensor technology to full frame + 24 MP, I imagine that it’s the only digital camera I would bother with today. They went in a very different direction, and I am sure they had their manufacturing/sales/marketing/profitability reasons, but they lost me.
Anyway, I’ve been banging on here with this same set of findings/opinion/screed for years and I doubt anyone has ever cared, so don’t have any reason to think today will be any different. Just buy one and see, they’re cheap, though there’s a good reason they are not nearly as cheap as D200s.
But, yeah, of those three, I’d definitely choose the S5 Pro if color rendering, skin tones, and tonal discrimination mattered.