Erik van Straten
Veteran
Erik, thank you for the pics using the Ultron. Is that the new or old version of that lens?
The shot on the beach is with the new one (Leica M mount) and the other one with the old one (Leica screw mount).
Erik.
Erik, thank you for the pics using the Ultron. Is that the new or old version of that lens?
Erik, thank you for the pics using the Ultron. Is that the new or old version of that lens?
I like my 35mm 2.8 Summaron better than the new Summarit. I also like it more than the Summicron (image wise) but I'd also take any version of the Summicron OR the CZ 35mm 2.8 over the Summarit.
I like them very much.
Leica M2, VC Ultron-M 35mm f/1.7, 400-2TMY.
Erik.
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Leica M2, Ultron LTM 35mm f/1.7 (full aperture) Tmax400.
Erik.
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I can sure see why you like it. Well done.
Erik, thank you for the pics using the Ultron. Is that the new or old version of that lens?
Don't discount the value of the goggles! 🙂 I find the 35mm framelines hard to see all at once with my M2. The goggles squeeze a 35mm view into the 50mm framelines, making things much nicer! You can see what's happening around the outside. Bonus that the goggled Summaron costs less...
BTW, Summicrons and Summiluxes also came in goggled versions.
The Zeiss 35mm f/1.4 (lens on left) gave me the image quality I wanted, fit better with my shooting style, provided me with the light gathering I needed, and was compatible with my budget.
Zeiss 35mm by Narsuitus, on Flickr
Hi,
I recently acquired an M2 and looking at 35mm lenses. I saw a sale today for a new 35mm f2.4 summarit. I was wondering how this lens might compare to the 35mm f2 summicron and the Carl Zeiss 35mm f2.8 lenses? I have not done much research on the summarits but seems reasonably priced.
Thanks,
Shane

35mm F3.5 Summaron: A great lens with a "vintage" or "classic" rendering that seems to give photographs a warm emotional appeal and pleasantness. It's an excellent lens for old-school general photography. Some of my favorite photographs have been taken with this lens. Don't hesitate to use a tripod and slower shutter speeds to make up for the slower aperture. Color is not this lens' strong point.