foto_fool
Well-known
tbarker13 said:With only 1,000 of them made...
And I think Noriaki may have bought all of them 😀.
Following Roland's advice above, I went back and rescanned 30 comparison frames. I dug into the Silverfast options and made sure auto-contrast was off (it was), turned off sharpening and picked "other monochrome" as the negative type as I have found this setting to provide the least amount of auto processing. I set the level sliders for darks, mids and highs at 0, 0, and 255 (full range) and set the input/output at 5/250/0/255 to provide a little headroom.
Then I scanned each frame as a 16-bit TIFF, opened each in Photoshop and checked the histogram, and pulled the numbers into a chart. If anyone wants to see the numbers and charts, pm me or post here and I will put them up. But frankly I think they demonstrate small changes in lighting and slight under- and over-exposure from frame to frame rather than any intrinsic transmission or contrast differences between the lenses.
So next time I do an amateurish lens test I will surely use a body with AE, at least if I want to compare these characteristics.
Still, I am satisfied with the real-world observations in this comparison. I satisfied my curiosity about the 35/1.4 Nokton and am happy it is part of my kit. I also convinced myself that I don't need to sell any one of these lenses. In this respect I don't know if I can view the comparison as a success or a failure 🙄.