Vincent.G
Well-known
I have got a couple of offers to sell me the v1 pre-asph 50lux. Hope to hear more feedback on this lens. Is it really inferior to the v2 onwards?
Beemermark
Veteran
I've tried all versions of the 50 ' lux and have only kept the 1st version. The ASPH is the best of them all by a mile but too expensive for my use. The 1st version lacks a little sharpness wide open but has more even contrast and (I think) a better look than the other pre-ASPH versions.Fast becoming one of my favourite lenses. It may be old, and I have read the 1st version Lux lacks sharpness wide open, but I am very impressed with the performance of this lens.
Leica All Day
Veteran
I bought the 50mm summilux v1 as my first Leica lens. I knew that I wanted a lens for black and white and I did a little bit of research about it before I bought it. I am happy with it but if I could, I would buy a 50mm asph, but I don't see that happening anytime soon.
I am pleased "enough" with its look, build quality and the overall feel of the lens and I don't think the extra money towards an asph would greatly improve my photos. That said, I know that there are faster/sharper lenses out there, but since it was my first lens for my Leica and I have used it everywhere, I can't see myself ever getting rid of it.
Here are a couple of examples from the v1....
Varanasi, India....tri-x
the focus is a little "off"....for some reason I focused on the string on his arm
Calcutta, India......tri-x
Kashmire, Pakistan......
I am pleased "enough" with its look, build quality and the overall feel of the lens and I don't think the extra money towards an asph would greatly improve my photos. That said, I know that there are faster/sharper lenses out there, but since it was my first lens for my Leica and I have used it everywhere, I can't see myself ever getting rid of it.
Here are a couple of examples from the v1....
Varanasi, India....tri-x

the focus is a little "off"....for some reason I focused on the string on his arm
Calcutta, India......tri-x

Kashmire, Pakistan......

Vincent.G
Well-known
Michael, thanks once again for your feedback and photos! You just seem to have all the lenses that I want to own!! LOL!
Looks like the v1 summilux looks really suitable for b&w photos. I was quite surprised with how well the colour picture turned out! Really nice!
Are these photos shot at max aperture? Do you have any photos showing the 50 lux wide open?
Cheers!
Looks like the v1 summilux looks really suitable for b&w photos. I was quite surprised with how well the colour picture turned out! Really nice!
Are these photos shot at max aperture? Do you have any photos showing the 50 lux wide open?
Cheers!
maggieo
More Deadly
I adore my 1959 s/n166xxxx Summilux! I think it pairs wonderfully with my M8. These were shot wide open, IIRC:
Mikey Outside The Oven, December, 2009

Tank Cars, February, 2010

Lincoln Station, February, 2010

More at my photoset:
Leica 50/1.4 Summilux (1st Version) (Set)
Mikey Outside The Oven, December, 2009

Tank Cars, February, 2010

Lincoln Station, February, 2010

More at my photoset:
Leica 50/1.4 Summilux (1st Version) (Set)
Beemermark
Veteran
Lincoln Nebraska, right? Looks good.I adore my 1959 s/n166xxxx Summilux! I think it pairs wonderfully with my M8. These were shot wide open, IIRC:
More at my photoset:
Leica 50/1.4 Summilux (1st Version) (Set)
maggieo
More Deadly
Lincoln Nebraska, right? Looks good.
Yep. Thanks!
maggieo
More Deadly
peter_n
Veteran
Great shots maggieo! 
maggieo
More Deadly
Thanks, Peter!
(You can call me Maggie, nice to meet ya!)
(You can call me Maggie, nice to meet ya!)
maggieo
More Deadly
Ran across a link to this thread, thought I'd post some film shots from the Summilux:

A Boy And His Dog, September, 2010 by Maggie Osterberg, on Flickr

The Big Show, July, 2010 by Maggie Osterberg, on Flickr

Scooter By The Birch, September, 2010 by Maggie Osterberg, on Flickr

Worry, October, 2010 by Maggie Osterberg, on Flickr

Bob In the Gloaming, August, 2010 by Maggie Osterberg, on Flickr

A Boy And His Dog, September, 2010 by Maggie Osterberg, on Flickr

The Big Show, July, 2010 by Maggie Osterberg, on Flickr

Scooter By The Birch, September, 2010 by Maggie Osterberg, on Flickr

Worry, October, 2010 by Maggie Osterberg, on Flickr

Bob In the Gloaming, August, 2010 by Maggie Osterberg, on Flickr
peter_n
Veteran
Great stuff Maggie, and that Scooter has scary eyes! I really like the way this lens renders.
maggieo
More Deadly
Great stuff Maggie, and that Scooter has scary eyes! I really like the way this lens renders.
Thanks!
Yeah, Scooter has some serious laser eyes going on. You do not want to incur her wrath!
David Murphy
Veteran
I've got a version 1 for sale right now that I'm thinking about withdrawing from sale, partly thanks to the photos and comments on this thread.
The above remarks are correct, this lens is a mechanical beauty. The iris click stops have a mechanical precision and accuracy that I've simply never seen before in a camera lens. The lens is rather compact and light too. It exceeds both the 50mm Summicron and the 50mm Summarit in fit-and-finish which is really quite a feat.
I'll probably (regretably) sell my Nokton 50/1.1 to cover the cost of keeping the Summilux, but good Noktons are easier to find if I need one down the line again.
The above remarks are correct, this lens is a mechanical beauty. The iris click stops have a mechanical precision and accuracy that I've simply never seen before in a camera lens. The lens is rather compact and light too. It exceeds both the 50mm Summicron and the 50mm Summarit in fit-and-finish which is really quite a feat.
I'll probably (regretably) sell my Nokton 50/1.1 to cover the cost of keeping the Summilux, but good Noktons are easier to find if I need one down the line again.
johannielscom
Snorting silver salts
Digging Michaels shots here and hoping to add some of my own Summilux 50/1.4 V1 very soon...
Anybody else got a real early Summilux V1 like mine, with the elevated-knurlings/smooth-lows?
MISH
Well-known
I am contemplating the purchase of a early version II Lux, it looks real good on my M4-p and did not want to come off ......... will I notice a big difference between it and my collapsible cron. I shoot black and white
(the shots here look great)
(the shots here look great)
Erik van Straten
Veteran
The V1 is free of distortion, but there is some coma. The V2 is coma-free, but you pay for that with quite a lot of barrel distortion. My choice would be the V1.
Erik.
Erik.
Erik van Straten
Veteran
Finally I found one. Mine is serial 17XXXXX.
Leica MP, Summilux 50mm f/1.4 v1, 400-2TMY/Adox MCC 110.
Boy what a lens.
Erik.
Leica MP, Summilux 50mm f/1.4 v1, 400-2TMY/Adox MCC 110.
Boy what a lens.
Erik.


raid
Dad Photographer
The previous post is from 2012?
Great photos!
Great photos!
Erik van Straten
Veteran
Thank you Raid, I don't think the ASPH is better. These shots are at full aperture. This bokeh ... awesome.
Erik.
Erik.
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