Godfrey
somewhat colored
I have to admit my images just don't really need a $3,400 Eizo 27 inch monitor.
I simply do not have print sales which would justify it. But clearly some do (or think they might) or the monitors would not exist.
While I can fully appreciate the value of these high-end monitors for various purposes, to say they are "needed" for still photography is a bit of an overstatement. I've had no problems rendering and printing thousands of photographs that have done well in exhibition, in print sales, and in licensing for use by many clients, and I've never owned an EIZO or any other display in that performance class.
To me, where they are particularly useful is in motion picture production where color shifts between clips shot with radically different equipment and likely at very different times need to be adjusted for a match at an extraordinarily high level of precision or they become noticeable and distracting.
G


