A Hasselblad, more than 40 years after first looking.

[Nokton48]

OBLIVIONFIRE2 by Nokton48, on Flickr

Oblivion Fire performing at the Reynoldsburg Tomato Festival. Hasselblad 500EL/M 350mm f5.6 (non T*) Tele-Tessar Hasselblad Polaroid Back Fuji 400 ASA B&W Instant Film (ordered from Japan). That's my Son playing his electric bass guitar. Of course I also shot regular B&W roll film, but these instant film photos are just so much fun to produce.

 

[Nokton48]

New to Me Hasselblad 250mm f5.6 TStar Sonnar by Nokton48, on Flickr

New to me Hasselblad Zeiss 250mm F5.6 T* Sonnar lens in excellent condition. Needs a CLA but was only $100 US from MPEX. Went to pick it up but that already shipped it. Should have called first LOL. Anyways it's coming soon.

 

[Nokton48]

My stash of 70mm 24 exp rolls 05 2022 by Nokton48, on Flickr

My recent purchase of a CFV16 Hasselblad Digital Back has renewed my interest in Hasselblads. Out in the field I can shoot digitally, then switch to 70mm, maybe one or two emulsions at a time. No need to look at frame counters, which is kinda liberating.

 

[Vince Lupo]

Hasselblad 1000f, 80/2.8 Opton-Tessar, Ilford Delta 100.


Grey Owl Rain 2023 by Vince Lupo, on Flickr

 

[Vince Lupo]

Hasselblad 1000f, 12.5cm f/2 Schneider-Göttingen Xenon, Ilford Delta 100.


Todd's Sprinkler by Vince Lupo, on Flickr

1000f, 80/2.8 Tessar, Ilford Delta 100.

Our Fall Garden 2023-2 by Vince Lupo, on Flickr

 

[Vince Lupo]

1000f, 80/2.8 Tessar with the 40 extension tube, Ilford Delta 100.


Our Fall Garden 2023-3 by Vince Lupo, on Flickr

 

[Vince Lupo]

Our Fall Garden 2023-4 by Vince Lupo, on Flickr

 

[Vince Lupo]

Our Fall Garden 2023-5 by Vince Lupo, on Flickr

 

[Richard G]

Tulips by Richard, on Flickr

These were tiring but the last ditch arrangement was interesting. This south light is very nice. (Southern hemisphere, remember)

 

[Richard G]

Like the leave Vince. The extension tube offers another little universe with SLRs. I love mine, 32mm. In a way the close focus of the 60 Distagon give some options short of the need the extension tube.

 

[Vince Lupo]

Like the leave Vince. The extension tube offers another little universe with SLRs. I love mine, 32mm. In a way the close focus of the 60 Distagon give some options short of the need the extension tube.

Yes they definitely do, plus they’re one more thing to spend money on! I have the 20 and 40 extension tubes (which were the only ones offered) for the 1000f, fortunately they’re not expensive.

 

[Vince Lupo]

October wanderings in the backyard. 1000f and Opton-Tessar.


October Garden1 by Vince Lupo, on Flickr

 

[Vince Lupo]

1000f, 60/5.6 Distagon, CFV II 50C digital back.


Riley in Delaware by Vince Lupo, on Flickr

 

[Vince Lupo]

1000f, 12.5cm f/2 Schneider-Göttingen Xenon w/+1 closeup lens, CFV II 50C digital back.


Backyard Wandering4 by Vince Lupo, on Flickr

 

[Vince Lupo]

1000f, 12.5cm f/2 Schneider-Göttingen Xenon w/+1 closeup lens, CFV II 50C digital back.


Backyard Lanterns by Vince Lupo, on Flickr

 

[Nokton48]

001 by Nokton48, on Flickr

 

[Nokton48]

002 by Nokton48, on Flickr

 

[Nokton48]

Kingswood Gardens Hassy 30mm Distagon Fisheye 1 by Nokton48, on Flickr

Frog Pond, Kingswood Gardens, Mansfield Ohio. Kodak 70mm Surveillance Film, ADOX Borax MQ dev, Hasselblad 500C/M 30mm T* Distagon, Handheld exposure. Arista #2 8x10 Matte RC paper, Multigrade dev. Processed in 70mm Kindermann Dev Tank. Kodak Surveillance reminds me a lot of the older Tri-X emulsion. The sun was just out of the frame upper left corner. The circular garden works well with the Hassy Fishy lens.
This was a fun shoot!

 

[Retro-Grouch]

001 by Nokton48, on Flickr

 

[Nokton48]

CFV16 500CM 250 C T Star Sonnar EI 200 by Nokton48, on Flickr

Handheld 500C/M CFV16 Digital Back 250mm f5.6 black C T* Zeiss Sonnar, EI 200 Metered with the Olde CDS Meter Prism, set the EV on the lens, this is the result.