Vince Lupo
Whatever
Many thanks - yeah I wasn’t quite sure what he was doing with his hand/arm, but it almost looked like he was taking a pledge or something along those lines. Not sure why he was doing it and the others weren’t.The eyes, and the hand, and the tent; very nice, as usual, Vince.
That day was great for clouds - I was pretty lucky.
Vince Lupo
Whatever
Bill Jones
Contax Lens User
Vince,
I really like your composition and posing i this one.
Bill
Rayt
Nonplayer Character
I have never considered using the SWC for portraiture but yours look great Vince. They looked like they were shot with a 60mm. Biogon magic!
Vince Lupo
Whatever
Wandered up to Gettysburg yesterday on a chilly, rainy day. Exactly how I like it 
With my early 500C, plus the 6-element 80mm Planar, 60/4 Distagon and the 50/4 Distagon.

Gettysburg Nov2023-3 by Vince Lupo, on Flickr

Gettysburg Nov2023-5 by Vince Lupo, on Flickr

Gettysburg Nov2023-8 by Vince Lupo, on Flickr
With my early 500C, plus the 6-element 80mm Planar, 60/4 Distagon and the 50/4 Distagon.

Gettysburg Nov2023-3 by Vince Lupo, on Flickr

Gettysburg Nov2023-5 by Vince Lupo, on Flickr

Gettysburg Nov2023-8 by Vince Lupo, on Flickr
Vince Lupo
Whatever

Gettysburg Nov2023-14 by Vince Lupo, on Flickr

Gettysburg Nov2023-19 by Vince Lupo, on Flickr

Gettysburg Nov2023-22 by Vince Lupo, on Flickr
Vince Lupo
Whatever
Bill Jones
Contax Lens User
Vince,
I really like the way the lichen covered rock looks like some hunting animal ready to pounce on prey that goes for a drink in the river.
Bill
Vince Lupo
Whatever
Last edited:
Vince Lupo
Whatever
Dervla
Well-known
Wow,
the eyes, an overflowing box of body parts, a drumstick, a drum, and at first glance I thought his right foot was missing,
this one, like so many of your photographs, is special.
the eyes, an overflowing box of body parts, a drumstick, a drum, and at first glance I thought his right foot was missing,
this one, like so many of your photographs, is special.
Vince Lupo
Whatever
Many thanks - I took three shots of this young fellow. At first when scanning the film I chose the third frame, but then I noticed that in the second shot (this one) he was looking right at me. Bit of a death stare I’d say!Wow,
the eyes, an overflowing box of body parts, a drumstick, a drum, and at first glance I thought his right foot was missing,
this one, like so many of your photographs, is special.
Vince Lupo
Whatever
More with the 500C and the CFV II back. I think with the 50/4.

Gettysburg Nov2023-23 by Vince Lupo, on Flickr

Gettysburg Nov2023-23 by Vince Lupo, on Flickr
Vince Lupo
Whatever
Vince Lupo
Whatever
Vince Lupo
Whatever
With a new-to-me Arsat 30mm f/3.5 lens on the 1000f, Ilford Delta 400.

Gettysburg Nov2023-25 by Vince Lupo, on Flickr
I got this lens for a very good price, otherwise I wouldn't have purchased it (since its fisheye view isn't one I'd want to use all the time). The lens mount is similar but not quite the same as the 1000f (it was originally intended for the Kiev 88), and as a result I had to do a few things in order for it to properly work with the camera: i) I had to remove the aperture stop-down pin from just inside the lens mount (though leaving the linkage in place); ii) I had to remove the lens locking pin on the side of the lens mount; iii) I cut off the four 'wedges' that make up the lens hood, otherwise I'd have vignetting in the corners. Here again, since I got the lens for a good price these modifications didn't bother me.

Gettysburg Nov2023-25 by Vince Lupo, on Flickr
I got this lens for a very good price, otherwise I wouldn't have purchased it (since its fisheye view isn't one I'd want to use all the time). The lens mount is similar but not quite the same as the 1000f (it was originally intended for the Kiev 88), and as a result I had to do a few things in order for it to properly work with the camera: i) I had to remove the aperture stop-down pin from just inside the lens mount (though leaving the linkage in place); ii) I had to remove the lens locking pin on the side of the lens mount; iii) I cut off the four 'wedges' that make up the lens hood, otherwise I'd have vignetting in the corners. Here again, since I got the lens for a good price these modifications didn't bother me.
Retro-Grouch
Veteran
This doesn't even look like a fisheye image, which is about the only way fisheye images ever work for me. They're a nearly impossible tool to control and use well, but you've succeeded!With a new-to-me Arsat 30mm f/3.5 lens on the 1000f, Ilford Delta 400.
Gettysburg Nov2023-25 by Vince Lupo, on Flickr
I got this lens for a very good price, otherwise I wouldn't have purchased it (since its fisheye view isn't one I'd want to use all the time). The lens mount is similar but not quite the same as the 1000f (it was originally intended for the Kiev 88), and as a result I had to do a few things in order for it to properly work with the camera: i) I had to remove the aperture stop-down pin from just inside the lens mount (though leaving the linkage in place); ii) I had to remove the lens locking pin on the side of the lens mount; iii) I cut off the four 'wedges' that make up the lens hood, otherwise I'd have vignetting in the corners. Here again, since I got the lens for a good price these modifications didn't bother me.
Vince Lupo
Whatever
I think part of it might be trying to keep the camera as vertical as possible, then you might not get quite the wackiness if you tilted up or down. Plus I think it depends on the subject matter.This doesn't even look like a fisheye image, which is about the only way fisheye images ever work for me. They're a nearly impossible tool to control and use well, but you've succeeded!
This lens is pretty good, all things considered. And given the fact that the Zeiss version is $2k and up, I think for the money this is a good buy.
Vince Lupo
Whatever
One more with the 30mm f/3.5 Arsat (Zodiac-8) on the 1000f, Ilford Delta 400.

Gettysburg Nov2023-26 by Vince Lupo, on Flickr

Gettysburg Nov2023-26 by Vince Lupo, on Flickr
Vince Lupo
Whatever
Hasselblad 1000f, 80mm f/2.8 Opton-Tessar, CFV II digital back.

Riley in Richmond by Vince Lupo, on Flickr
Hasselblad 1000f, 52mm f/3.5 Kaligar, CFV II digital back.

Bayside by Vince Lupo, on Flickr

Riley in Richmond by Vince Lupo, on Flickr
Hasselblad 1000f, 52mm f/3.5 Kaligar, CFV II digital back.

Bayside by Vince Lupo, on Flickr
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