Jungle Jim
Leica Fat Old Men's Club
A Tale of four 50's, shot under controlled conditions to determine sharpness, contrast, color saturation, and background blur between older LTM and M-mount lenses.
WARNING: Big JPGS ahead!
Procedure: Two test dolls placed on a table outside with a contrast of colors in the far background. The Japanese doll is in front, German doll is 1 feet behind and to the side. Distance from Japanese doll to the film plane is four feet. Focus is on the eyes of the Japanese doll. After each camera lens is put on the camera, an incident meter reading is taken to verify correct exposure.
Equipment: Camera is a 1959 Leica M3, CLA by DAG. Mounted with an RRS Plate to an Arca Swiss ballhead, Gitzo 1548 tripod. All lenses with appropriate lens hood, no filters. (Note: Canon f/1.2 lens has a generic Sonia hood screwed in place.) Incident meter is a Sekonic L-358.
Lenses: Four 50 mm lenses, in no particular order.
Lens A- LTM Canon f/1.2, year 1958(?), CLA by Focal Point
Lens B- LTM Summarit f/1.5, Year 1953, Slight haze internally
Lens C- LTM Summitar f/2, Year 1949, CLA by DAG
Lens D- M-mount tabbed Summicron f/2, Year 1985, CLA by Focal Point
All lenses are coated and have their coating intact.
Film: Fuji Reala, EI-100. Developed by a commercial pro lab, Ace Photo Imaging. Requested NO CORRECTIONS when negative was scanned to CD.
Weather condition: Overcast.
HINT: Look on top of the Jam Jar to see which lens is used for that particular picture.
Comments: Pinpoint light source from a knothole just above the card on the jam jar. Another light source is a foil reflector on the left shoe of the Japanese doll. Red swirlies behind Japanese doll supplied from a red Japanese maple. Top left corner is a red bird feeder. This area of the picture is usually the weakest for lenses.
WARNING: Big JPGS ahead!
Procedure: Two test dolls placed on a table outside with a contrast of colors in the far background. The Japanese doll is in front, German doll is 1 feet behind and to the side. Distance from Japanese doll to the film plane is four feet. Focus is on the eyes of the Japanese doll. After each camera lens is put on the camera, an incident meter reading is taken to verify correct exposure.
Equipment: Camera is a 1959 Leica M3, CLA by DAG. Mounted with an RRS Plate to an Arca Swiss ballhead, Gitzo 1548 tripod. All lenses with appropriate lens hood, no filters. (Note: Canon f/1.2 lens has a generic Sonia hood screwed in place.) Incident meter is a Sekonic L-358.
Lenses: Four 50 mm lenses, in no particular order.
Lens A- LTM Canon f/1.2, year 1958(?), CLA by Focal Point
Lens B- LTM Summarit f/1.5, Year 1953, Slight haze internally
Lens C- LTM Summitar f/2, Year 1949, CLA by DAG
Lens D- M-mount tabbed Summicron f/2, Year 1985, CLA by Focal Point
All lenses are coated and have their coating intact.
Film: Fuji Reala, EI-100. Developed by a commercial pro lab, Ace Photo Imaging. Requested NO CORRECTIONS when negative was scanned to CD.
Weather condition: Overcast.
HINT: Look on top of the Jam Jar to see which lens is used for that particular picture.
Comments: Pinpoint light source from a knothole just above the card on the jam jar. Another light source is a foil reflector on the left shoe of the Japanese doll. Red swirlies behind Japanese doll supplied from a red Japanese maple. Top left corner is a red bird feeder. This area of the picture is usually the weakest for lenses.
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