dcsang
Canadian & Not A Dentist
With the 50mm Summilux pre-ASPH wide open - window light - converted to B&W in Photoshop using Silver Efex.
Cheers,
Dave
Cheers,
Dave
Konica Hexanon 35m f2 LTM
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Beautiful pictures. The reviews on the A7 have made me think I should wait a year for Sony to improve the speed and ergonomics, but it's hard to wait now that I see some regular folks taking lovely pictures with it. I particularly like the rich colors in low light.
Dumb question: What converter is used to mount the LTM/M lens to the body?
Is this the Konica UC-Hexanon 35mm f/2.0 lens?
Definitely a keeper!
Wayne
That doesn't look like the UC-Hexanon bokeh I'm used to seeing. I'd guess it's the L-Hexanon 35/2.
::Ari
Is this the Konica UC-Hexanon 35mm f/2.0 lens?
Definitely a keeper!
Wayne
Thanks for sharing.
Just when I was thinking of selling my Nikkor 85/2.0 to help fund the A7 purchase...your samples have me rethinking that idea.
Wayne
I'm psyched to see that the Canon 25/3.5, with it's deep rear element projection, works on a full-frame digital!
That was the first assumption but going by samples from the Leica User Forum / many Asian blogs / reports from our fellow RFF'er uhoh07 in a parallel A7r image thread /Steve Huff's blog etc. it seems that the A7 is a better bet, specifically for wider than 35mm
For 35mm and above, the A7r seems to do just fine
I think nikkor 50/1.4 & 85/2 have a better performance than using at m9
I'm not convinced as samples out of the A7R + Leica WATE are incredibly good..
http://3d-kraft.com/index.php?option=com_content&view=article&id=148&catid=40&Itemid=2
Also this..
http://diglloyd.com/blog/2013/20131022_2-SonyA7r-LeicaM-lenses.html
So far, with the A7, I have yet to be disappointed with my current lens line up. That includes the CV 12mm LTM, Zeiss 21mm f2.8, 35 pre-ASPH lux, 50 pre-ASPH lux and the 90mm pre-ASPH cron. All perform VERY well imho. I'm dying to use RAW and see what really can be done but I believe it will make this camera sing!!
Cheers,
Dave