Acros 100 in Rodinal

[Kenj8246]

It's all but a foregone conclusion that if there was nothing left but Acros 100 to shoot, I wouldn't be at all unhappy. Nikon FE, Nikkor 50mm 1.4D. Rodinal 1+50 for 11:30 @ 20C, normal agitation.


Texas A&M campus random grab shots by kenj8246, on Flickr


Texas A&M campus random grab shots by kenj8246, on Flickr


Texas A&M campus random grab shots by kenj8246, on Flickr

Kenny

 

[Photo_Smith]

Acros in Rodinal is supreme, it's probably the best developer for that film. It seems to give good tonal range and allows it (Acros) to really shine.
I have used it (in different conditions) between EI 50–800 It's great!

 

[siddho]

...hi ....also loving acros in rodinal 1:100 for 1 hr stand develop....

 

[Chriscrawfordphoto]

I like it in Rodinal a lot. Its very beautiful in PMK pyro too, but Acros is not a film i like for most work; even in the two best developers I have found for it (Rodinal and PMK), the midtones are too flat for me. I like it for very low light work, where its lack of reciprocity failure makes it ideal. Tmax 100 and Ilford FP4 both have considerably better tonality in any developer.

 

[Rogier]

I have recently started using Across 100 and develop it in HC-110 and loving the results.
To bad its twice as expensive in 4x5 compared to FP4