mfogiel
Veteran
It looks like my love affair with AGFA scala was not to last for long - today the last lab in Italy which has been still developing SCALA in the reversal process has announced thet they will be running out of chemicals by the end of tis month.... hmmm I was treasuring the last 30 rolls to use them sparingly for the good occasions, but this is really spoiling my feast...
I have looked up some old threads on the net, and apparently SCALA exposed at 100 ISO can still give outstanding results developed as a negative, but my problem is, that the references available (Todd Hanz) were talking about the development in Rodinal, while my B&W lab only uses the Tmax developer at 24° ( I believe it is the Tmax RS).
I wonder if anybody has a tip to give me about how to treat SCALA in a this kind of developer - e.g. do you think a good starting point would be to expose it at 100 ISO and try with the time prescribed for a classic film like an APX 100 ?
Any help will be appreciated.
I have looked up some old threads on the net, and apparently SCALA exposed at 100 ISO can still give outstanding results developed as a negative, but my problem is, that the references available (Todd Hanz) were talking about the development in Rodinal, while my B&W lab only uses the Tmax developer at 24° ( I believe it is the Tmax RS).
I wonder if anybody has a tip to give me about how to treat SCALA in a this kind of developer - e.g. do you think a good starting point would be to expose it at 100 ISO and try with the time prescribed for a classic film like an APX 100 ?
Any help will be appreciated.