“What has influenced me in terms of digital technology is the technique of printing. These photographs are printed with a lambda or light-jet machine, which produces a print on photographic paper but it is written from a scan with a laser. For me what it means is that you have much, much more control over color than in the darkroom. I used to make cibachromes, and it was just a huge struggle. You had to make special masks, specifically to control reds, because reds in cibachrome go crazy. With this technique you make a really high-res scan and I work with a printer to control certain things I do with Photoshop. I make a test print and I go in and say “This needs a little more magenta, we need a little more contrast here,” and so forth. Then I come back after few days and after several proof prints we have it right. For me, digital technology has utterly transformed the process of printing and it has made it much closer and much more personal in many ways, because it is much more like the way I used to work in the darkroom as a black-and-white photographer. I love that. I am really excited about prints in a way that I was not before. It is also easier to make larger prints. This show is all this size, but I also make larger prints for certain shows. For certain pictures, they really get another kind of presence as an object when you make them larger.” (from the same interview with Alex Webb in FotoTapeta)