Jocko
Off With The Pixies
Most of us have wondered about where our cameras came from and who owned them. Sadly that usually remains a mystery - If we're fortunate there may be a few notes on a card or unusual marks, the remains of lost events. But sometimes we strike lucky...
In the last few weeks I've had the pleasure of corresponding with Mike Haley, a very active British photographer, FSU collector and teacher who lives in Kiev. Mike and his Ukrainian friends are organising an exhibition on Soviet cameras and photography which will hopefully soon be seen in Western Europe.
Mike knows many workers from the Arsenal Factory and introduced me to a particularly fascinating character, the former head of the lens division - and quite a bit more. I quote:
"He's a very old guy, formerly an aeronautical engineer who was
sent to work at Arsenal as the only English speaking representative of
the factory. He was often sent to Moskow with 'prototype' cameras for
Moskow's approval before production could commence. He has supplied me
with several preproduction cameras and lenses, including experimental
non-production or limited issue lenses. His name is Valerej. He now teaches English here in Kiev and is still pretty active in photography. He likes German Gear and refers to all Soviet cameras as 'rubbish' 🙂 It was he who introduced me to most of
the former and present workers at the factory (now called 'Arsat')".
I subsequently asked if Valerej could share some of his memories with us. It seems this may be possible: Obviously he's a very old gentleman and it would be wrong to press him - but other workers are certainly happy to share stories and we will hopefully hear some soon - all of which should resolve a few myths.
My first FSU was a Kiev. It was stolen and I've always longed for another. Through Mike I was honoured to buy Valerej's 1982 Kiev 4AM and, most excitingly, it's exquisite 1953 J-3, which he had personally adjusted for optimum performance, plus a similar Helios 103. I also obtained one of 4 immaculate J-9s which were kept at the factory as examplars for use in testing production lenses. All were given a check at Arsenal prior to being sent - a very bad digital picture is attached 🙂 One interesting feature of the camera is that officially it never left the factory, so the passport remains blank as does the "Made in USSR" panel.
Mike has absolutely unique access to knowledge, people and cameras, all of which is obvious from his superbly enlightening website - http://cccp.webstar.nl/index.htm . He also offers wonderful cameras for sale and a range of other services - including Kiev servicing and repair at the Arsenal factory for just 30-40 Euros. The quality is exceptional and his prices are very fair indeed. I heartily recommend him to all FSU enthusiasts. Tell him I said so and I might get a discount 🙂
One of his latest projects, already under way, is to get the factory repair manual for the Kiev 4 on-line in English.
This is a beautiful camera and I cannot wait to use it!
Cheers, Ian
In the last few weeks I've had the pleasure of corresponding with Mike Haley, a very active British photographer, FSU collector and teacher who lives in Kiev. Mike and his Ukrainian friends are organising an exhibition on Soviet cameras and photography which will hopefully soon be seen in Western Europe.
Mike knows many workers from the Arsenal Factory and introduced me to a particularly fascinating character, the former head of the lens division - and quite a bit more. I quote:
"He's a very old guy, formerly an aeronautical engineer who was
sent to work at Arsenal as the only English speaking representative of
the factory. He was often sent to Moskow with 'prototype' cameras for
Moskow's approval before production could commence. He has supplied me
with several preproduction cameras and lenses, including experimental
non-production or limited issue lenses. His name is Valerej. He now teaches English here in Kiev and is still pretty active in photography. He likes German Gear and refers to all Soviet cameras as 'rubbish' 🙂 It was he who introduced me to most of
the former and present workers at the factory (now called 'Arsat')".
I subsequently asked if Valerej could share some of his memories with us. It seems this may be possible: Obviously he's a very old gentleman and it would be wrong to press him - but other workers are certainly happy to share stories and we will hopefully hear some soon - all of which should resolve a few myths.
My first FSU was a Kiev. It was stolen and I've always longed for another. Through Mike I was honoured to buy Valerej's 1982 Kiev 4AM and, most excitingly, it's exquisite 1953 J-3, which he had personally adjusted for optimum performance, plus a similar Helios 103. I also obtained one of 4 immaculate J-9s which were kept at the factory as examplars for use in testing production lenses. All were given a check at Arsenal prior to being sent - a very bad digital picture is attached 🙂 One interesting feature of the camera is that officially it never left the factory, so the passport remains blank as does the "Made in USSR" panel.
Mike has absolutely unique access to knowledge, people and cameras, all of which is obvious from his superbly enlightening website - http://cccp.webstar.nl/index.htm . He also offers wonderful cameras for sale and a range of other services - including Kiev servicing and repair at the Arsenal factory for just 30-40 Euros. The quality is exceptional and his prices are very fair indeed. I heartily recommend him to all FSU enthusiasts. Tell him I said so and I might get a discount 🙂
One of his latest projects, already under way, is to get the factory repair manual for the Kiev 4 on-line in English.
This is a beautiful camera and I cannot wait to use it!
Cheers, Ian