Sparrow
Veteran
"So how do you know if it's good or not? Illogical rules?"
You look. With yours eyes and mind hopefully open. Identify the various components. Consider how they work together to create coherence, order, meaning. That doesn't mean how they conform to some preordained formula or rule.
"Would you consider it possible that there are rules which you haven’t yet learned?"
I'm sure there are, somebody should list them all. You'd think by post #100, someone would have filled us in by now. Please, no rule of thirds type nonsense.
Cheers,
Gary
The Rule of Proximity.
The Rule of Similarity.
The Rule of Closure.
The Rule of Simplicity.
The Rule of Repetition.
The Rule of Repetition.
The Rule of Figure/Ground.
sorry couldn't resist the repletion thing
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Sparrow
Veteran
the classical stuff is more guidelines, no proper scientific testing this one is a real page turner
http://books.google.com/books?id=LS_ji6fh60IC
teh toehr relus cutaly owrk hwit mtso poelpe
http://books.google.com/books?id=LS_ji6fh60IC
teh toehr relus cutaly owrk hwit mtso poelpe
antiquark
Derek Ross
The Rule of Proximity.
The Rule of Similarity.
The Rule of Closure.
The Rule of Simplicity.
The Rule of Repetition.
The Rule of Repetition.
The Rule of Figure/Ground.
![]()
Actually, I don't think I can find a picture that demonstrates all those. I'm not saying that none exist, it's just that I don't know where to look.
However, in many in critique threads, I've seen many people justify their poor photograph by explaining the various rules that are followed.
Maybe a counterexample would be to find a good photo that follows none of those rules.
Then the big problem would be everyone agreeing on what a good photo is.
gns
Well-known
Sparrow,
So if I have some simple, similar looking figures repeated close together on a ground I will have a good picture? Sorry, Can't imagine what "Closure" might be.
Cheers,
Gary
So if I have some simple, similar looking figures repeated close together on a ground I will have a good picture? Sorry, Can't imagine what "Closure" might be.
Cheers,
Gary
FrankS
Registered User
So, we've got a good discussion going - that's good! It would be boring if we all just agreed about everything.
I've got a challenge to anyone who wishes to take it on:
Find an unpleasing/unsuccessful photograph (defined by 7 out of 10 photographers/viewers that say it is) that displays the following aspects/guidelines:
-it has compelling content (a strong narrative is generated by the image)
-it has pleasing composition (choose the simplest guide to composition, the "rule of thirds" if you want)
-lighting is interesting and/or appropriate to the subject
-there is a minimum of distracting visual elements that do not add to the image
-technical considerations are covered (here's the well exposed, sharply focused,... statement)
5 simple aspects/guidelines. Find an unsuccessful picture (that that more than just YOU don't like) that exhibit these aspects.
If there really are no rules and it's just unexplanable "gut reaction", and "I'll know it when I see it", then this should be possible.
I'm proposing that if an image has these aspects in sufficient quantity, it will be considered a "good" photo, as judged by a clear majority of photographers/viewers.
I've got a challenge to anyone who wishes to take it on:
Find an unpleasing/unsuccessful photograph (defined by 7 out of 10 photographers/viewers that say it is) that displays the following aspects/guidelines:
-it has compelling content (a strong narrative is generated by the image)
-it has pleasing composition (choose the simplest guide to composition, the "rule of thirds" if you want)
-lighting is interesting and/or appropriate to the subject
-there is a minimum of distracting visual elements that do not add to the image
-technical considerations are covered (here's the well exposed, sharply focused,... statement)
5 simple aspects/guidelines. Find an unsuccessful picture (that that more than just YOU don't like) that exhibit these aspects.
If there really are no rules and it's just unexplanable "gut reaction", and "I'll know it when I see it", then this should be possible.
I'm proposing that if an image has these aspects in sufficient quantity, it will be considered a "good" photo, as judged by a clear majority of photographers/viewers.
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ClaremontPhoto
Jon Claremont
Gut reaction is 'No' for
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antiquark
Derek Ross
-it has compelling content (a strong narrative is generated by the image)
-it has pleasing composition (choose the simplest guide to composition, the "rule of thirds" if you want)
-lighting is interesting and/or appropriate to the subject
First you have to define the meanings of compelling, pleasing, and interesting in the rules above.
FrankS
Registered User
Jon, a white box with a red X in it, is hardly compelling content!

(Your pic does not appear for me.)
(Your pic does not appear for me.)
ClaremontPhoto
Jon Claremont
-it has compelling content (a strong narrative is generated by the image)
-it has pleasing composition (choose the simplest guide to composition, the "rule of thirds" if you want)
-lighting is interesting and/or appropriate to the subject
-there is a minimum of distracting visual elements that do not add to the image
-technical considerations are covered (here's the well exposed, sharply focused,... statement)
No, no, no, no no.

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Sparrow
Veteran
Actually, I don't think I can find a picture that demonstrates all those. I'm not saying that none exist, it's just that I don't know where to look.
However, in many in critique threads, I've seen many people justify their poor photograph by explaining the various rules that are followed.
Maybe a counterexample would be to find a good photo that follows none of those rules.
Then the big problem would be everyone agreeing on what a good photo is.![]()
i don't think this conforms, but it works for me

Then the big problem would be everyone agreeing on what a good photo is.
it's not a problem it's educational
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John Robertson
Well-known
-technical considerations (exposure, focus, brightness, contrast, camera movement, etc. - mostly subjective)
.
I now would never comment on color, contrast, sharpness etc of pictures viewed
on the 'net, after looking at my own stuff on computers other than my own, and seeing the huge variations in these qualities, dependant on how their monitors are set up.
Sparrow
Veteran
Sparrow
Veteran
FrankS
Registered User
Jon, you posted one of my pictures from a for sale thread. It was not presented as 'art', only used to illustrate a lens for sale. Why post this/my picture in this thread?
ClaremontPhoto
Jon Claremont
FrankS:
Your photo showed up in the gallery, not the classified.
I sort of feel like the art showroom guy who took out the trash; and then was told it was the exhibit.
Your photo showed up in the gallery, not the classified.
I sort of feel like the art showroom guy who took out the trash; and then was told it was the exhibit.
Sparrow
Veteran
FrankS:
Your photo showed up in the gallery, not the classified.
I sort of feel like the art showroom guy who took out the trash; and then was told it was the exhibit.
My son and I sometimes stand in a gallery to admire and discus one of the fire-extinguishers, at the Tate in Liverpool few weeks ago we managed to pull a crowd of five including us.
ClaremontPhoto
Jon Claremont
My son and I sometimes stand in a gallery to admire and discus one of the fire-extinguishers, at the Tate in Liverpool few weeks ago we managed to pull a crowd of five including us.
I really am laughing at that.
So funny.
Sparrow
Veteran
If you spend any time at all in a gallery you soon become aware of how much twaddle the poor pictures have to endure
On a side note the 20th century retrospective at the Tate Liverpool is spectacular, god-knows what the insurance cost on it all must be, well worth a visit for anyone within range
On a side note the 20th century retrospective at the Tate Liverpool is spectacular, god-knows what the insurance cost on it all must be, well worth a visit for anyone within range
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