SK Grimes can put an Aero into an Acme. But you'll only get a top speed of 1/50th (maybe) and it would cost well over a grand.
I've been there, done it, and caution you about Aeros and Speeds. It's a shame Burnett doesn't make any money from all the copycats he inspired.... If you go on the sports photo forum there is always some yahoo from the Midwest selling his Speed/Aero because they thought it would jazz up their sports photography until they realized how hard it was to make a decent picture with the rig.
It's a cool look until you realize that so many other people are doing it too, and then you realize that you can't "buy" creativity.
Same deal with all the guys who chase old brass portrait lenses on the LF forum... or Notctiluxes here ;-)
From a practical photo point of view, the depth of field is so short and the portrait distances so close, that using the Speed Graphic rangefinder or hoping people are still enough to hold your ground glass focus is a total crapshoot. You can get lucky and maybe the focus hits their lips instead of their eyelashes and you can call it an arty shot, but in the end you waste a lot of expensive film going down this path.
And yeah, unless you build a support, the lens is too big for the front standard. And it is radioactive. And it flares more than others. And your arms will fail you unless you use a monopod.
Not to rain on the parade but why not get a simple basic Speed or Crown and a normal f/5.6 lens and really shoot a lot and learn how to make portraits instead of going for an effect? The bokeh of even the sharp modern lenses is excellent wide open and you actually have an entire inch of depth of field, which is so much more forgiving... if you want to re-create some of Burnett's weirdly focused pictures, use odd camera movements to have some control over what you're doing.
I like the messed up Aero bokeh too, when it works, but I fear it is a one-trick pony.
Finally, the best rig for experimenting with old barrel lenses is a heavy-duty Sinar with a Sinar shutter and a lens iris chuck (like a drill chuck) so that you can insert any old lens onto the camera and see exactly what it can do within seconds.