Turtle
Veteran
Some further comments:
I shot a roll of film largely into the Afghan sun about an hour before sunset. The sun was incredibly strong. In some frames the sun it direct into the lens with no obstructions and in other there is a very small tree partially occluding some of the light, but still letting most through. In all shots I used a yellow MRC B&W and flare resistance was superb.
Most frames show no sun spots or other artifacts and there is very little or no obvious reduction in contrast of backlit people. Edges remain relatively crisp, especially in frames where explosure was not overdone.
I also shot some through an open tomb with a dingy interior and incredibly bright light beyond the open end as well as some bright side lighting. Halation was nicely controlled and the frames look great.
In a couple of rames where the sun was just out of the frame, shot slightly earlier (i.e. higher in the sky) there are some subtle rays of light (flare) creeping in but very controlled and localised and not of the sort that ruins the image but feels an acceptable part of it (unlike the 28 ZM, which when it flares does so in a way that completely ruins the images).
I cannot be sure that the B&W MRC filter improved matters by controlling light better on first contact with the lens, but the results were exceptionally good and I cannot complain. I shot in really nasty light and the lens was an absolute champ.
I do find the lens small to use and often use it pre-focused in the snapshot role. This lens really is without fault knees if you want a street/reportage lens for when light is ample. I have shot frames with somewhat busy bokeh, but have managed to do that with every lens I have ever owned if the light/distance/aperture combo is bad enough. If you want a walkabout lens and would rather not have $1500 of Leica sitting on the front of a camera, this is the one to buy IMHO. $370 with hood, over 4 x cheaper than a summarit (with hood) and over 7 x cheaper than a summicron asph. What a bargain.
I shot a roll of film largely into the Afghan sun about an hour before sunset. The sun was incredibly strong. In some frames the sun it direct into the lens with no obstructions and in other there is a very small tree partially occluding some of the light, but still letting most through. In all shots I used a yellow MRC B&W and flare resistance was superb.
Most frames show no sun spots or other artifacts and there is very little or no obvious reduction in contrast of backlit people. Edges remain relatively crisp, especially in frames where explosure was not overdone.
I also shot some through an open tomb with a dingy interior and incredibly bright light beyond the open end as well as some bright side lighting. Halation was nicely controlled and the frames look great.
In a couple of rames where the sun was just out of the frame, shot slightly earlier (i.e. higher in the sky) there are some subtle rays of light (flare) creeping in but very controlled and localised and not of the sort that ruins the image but feels an acceptable part of it (unlike the 28 ZM, which when it flares does so in a way that completely ruins the images).
I cannot be sure that the B&W MRC filter improved matters by controlling light better on first contact with the lens, but the results were exceptionally good and I cannot complain. I shot in really nasty light and the lens was an absolute champ.
I do find the lens small to use and often use it pre-focused in the snapshot role. This lens really is without fault knees if you want a street/reportage lens for when light is ample. I have shot frames with somewhat busy bokeh, but have managed to do that with every lens I have ever owned if the light/distance/aperture combo is bad enough. If you want a walkabout lens and would rather not have $1500 of Leica sitting on the front of a camera, this is the one to buy IMHO. $370 with hood, over 4 x cheaper than a summarit (with hood) and over 7 x cheaper than a summicron asph. What a bargain.