bmattock
Veteran
BERLIN & BEYOND '09 Review: Wim Wenders' "Palermo Shooting"
http://justpressplay.net/movies/mov...09-review-wim-wenders-qpalermo-shootingq.html
Honestly, I didn't have much interest in this, until I read this bit:
Yeah, sounds like it could be fun for photographers who like to argue about the 'soul' of digital photography and whether or not it has any...
http://justpressplay.net/movies/mov...09-review-wim-wenders-qpalermo-shootingq.html
Palermo Shooting is one of those films that has a premise describing the entire film. Finn (played by punk rock star Campino) is a discontent photographer looking to get back to his artistic roots. He goes to Palermo, Italy, where Death (Dennis Hopper) hunts him down. So they sit down and talk about it. The end.
....
It spews plenty of gobbledygook about life and death and loneliness and the nature of time—which are all, admittedly, delivered like the guy who writes computer manuals translating a Deepak Chopra book—and yes, it has that fun-to-make-fun-of scene where Death argues the merits of digital photography vs film photography, in the best way one Dennis Hopper can deliver; but while it’s easy to assume that the photography discussions are metaphors for the big idea regarding death, I’m convinced it’s the other way around.
Honestly, I didn't have much interest in this, until I read this bit:
Near the beginning of the film, we’re introduced to Finn’s artist-at-work process when we see him commanding a team of Photoshop experts to construct his latest photo by piecing together several old images. Later, he shoots Milla Jovovich (playing herself) in a huge and elaborate fashion shoot. Finn’s “art” is tainted by artificiality, thus his fear of the coming death is, bewilderingly, just a metaphor for his fear of killing his own authenticity. “There is nothing but surface,” Finn tells another photographer when asked what his photos are all about. His colleague disagrees, arguing that if there’s nothing to discover underneath, then why bother taking pictures at all? The film is Finn’s unearthing of his “essence,” if you will—a self-discovery of the artist within. To this end, throughout the film, Finn is haunted by “manipulations,” be it CGI arrows attacking him or the holographic ghost of Lou Reed quoting fortune cookies. Yes, it’s all very silly, but it works.
Yeah, sounds like it could be fun for photographers who like to argue about the 'soul' of digital photography and whether or not it has any...