roscoetuff
Well-known
Good thread for even casual readers (I guess that's what I am?) to learn about MF options. Curious whether the RF options in MF are really smaller than their SLR cousins - by which I'd mean "small enough to make a difference" ? The options in the 645 size seem to offer more choices than the 6x6, and from what I can tell, larger than 6x6 just seems too big. But as I try to resist the tractor beam, I wonder whether if it were only about higher image quality whether digital 35mm doesn't answer that? So I'm paying more attention to those who suggest the aura of film in MF captures a certain quality of light that digital doesn't. Sounds credible... even it's not. Prices for a Mamiya M645 are stunningly low for what it "seems" you get.
Calzone
Gear Whore #1
Small format digital has higher resolution and IQ than 35mm film for sure, but for many the next jump in IQ over small format digital is medium format film. The costs are low and the gear is great. Meanwhile medium format digital remains costly.
It gets mighty expensive to get the resolution and tonality to meet or exceed a 6x9 negative going digital. Meanwhile I bought a Linhof Tech IV for $750.00 that came with extras including a lens. Currently having the body overhauled at Nippon Photo Clinic the U.S. authorized service center for $400.00. It is really clear to me that I will and can shoot this camera the rest of my life as long as film is around. Understand that a rigged Linhof weighs about 7-8 pounds with a 120 back (Rolliex).
My old Fuji Texas Leicas only cost a few hundred dollars, and the glass is not costly. These are very durable cameras that are very basic.
BTW 645 to me is kinda inbetween and for me medium format really begins at 6x6. 645 is such a baby step. It is really hard to beat the big negative, except with a bigger negative.
Cal
Fixcinater
Never enough smoky peat
The early Zeiss Ikon Super Ikonta B or 532/16 has similar old-school build quality that Rolleiflexes have.
I have a collection (bought out Certo6's stock when he decided to stop working on them) and while the Tessar 80/2.8 isn't quite the equal of say, the Fuji GL690, it's a lot smaller and the IQ is definitely good enough for my purposes.
I have a collection (bought out Certo6's stock when he decided to stop working on them) and while the Tessar 80/2.8 isn't quite the equal of say, the Fuji GL690, it's a lot smaller and the IQ is definitely good enough for my purposes.
Calzone
Gear Whore #1
Prest_400
Multiformat
Aside of the golden period of press cameras and folders, when in comes to 1980's until now (may call it "modern") there aren't that many MF RF's.
There was a thread around the forum about the low cost of Fuji 6x9's, which we deemed to be around its concept of not so attractive functional spartan camera.
In 2012 I started to dabble which MF I'd get and decided upon a GW690(III), mine was quite lower priced mkIII user camera and actually around those years their prices dipped quite a bit. I compared at the time of purchase (2014) and there wasn't anything with the format bang for the buck (6x6+), and to top it up, modern.
I very well might have read this thread back then, and saw lots of support for these cameras. Add in some confirmation bias and convinced me to get one. 1460g for such a neg isn't that heavy, and they are large (35mm form factor must play a lot in them being seen as ridiculously large).
There is the curious situation of some models becoming cult and very appreciated (Rolleiflex, Hasselblad, Mamiya 6/7, Pentax 67(II) ) and having crazy prices lately. For the Mamiyas I recall seeing kits at 1200€ in 2014 and now it's around 2000€. Other cameras (Say Mamiya 645 and RB67) must have lots of ex-pro surplus and less pizzazz to them so go cheap.
In a way, yes. But not the light itself but the optical rendition. Medium and large format require longer focal lengths for the same FoV, together with the different DoF characteristics. (40mm 135 = 90mm 6x9) Pair it up with the large neg smoothness and you do get the "Medium format look".
645 is quite controversial but actually a useful format in some situations, and Fuji did have a quite well laid out 6x9 + 645 complementary line. It boomed and still is very used in the wedding crowd for its shot/roll + MF characteristics ratio.
There was a thread around the forum about the low cost of Fuji 6x9's, which we deemed to be around its concept of not so attractive functional spartan camera.
In 2012 I started to dabble which MF I'd get and decided upon a GW690(III), mine was quite lower priced mkIII user camera and actually around those years their prices dipped quite a bit. I compared at the time of purchase (2014) and there wasn't anything with the format bang for the buck (6x6+), and to top it up, modern.
I very well might have read this thread back then, and saw lots of support for these cameras. Add in some confirmation bias and convinced me to get one. 1460g for such a neg isn't that heavy, and they are large (35mm form factor must play a lot in them being seen as ridiculously large).
There is the curious situation of some models becoming cult and very appreciated (Rolleiflex, Hasselblad, Mamiya 6/7, Pentax 67(II) ) and having crazy prices lately. For the Mamiyas I recall seeing kits at 1200€ in 2014 and now it's around 2000€. Other cameras (Say Mamiya 645 and RB67) must have lots of ex-pro surplus and less pizzazz to them so go cheap.
Roger Hicks
Veteran
ruilourosa
Member
Do people still compare film with digital?