Stdon
Established
The trouble at weddings, very few church services allow flash during the actual ceremony. So one needs to reset afterwards. Or like me just use a D700 or D800, fast glass and you're set.
SimonPJ
Well-known
Four years on: current best for low-light social photography?
Four years on: current best for low-light social photography?
Four years ago I started this thread with the message below.
What's changed since then? Is a digital M still the best tool for sitting amongst the social action and capturing great moments? Or have other cameras changed the game for unobtrusively capturing the moment whilst life goes on around you in a low light social setting? (For me, it's now an M240P with 35 Lux Asph - but I'm curious about whether that's still the best way to deal with the challenges of capturing fleeting social moments in low light.)
Cheers,
Simon
Four years on: current best for low-light social photography?
Four years ago I started this thread with the message below.
What's changed since then? Is a digital M still the best tool for sitting amongst the social action and capturing great moments? Or have other cameras changed the game for unobtrusively capturing the moment whilst life goes on around you in a low light social setting? (For me, it's now an M240P with 35 Lux Asph - but I'm curious about whether that's still the best way to deal with the challenges of capturing fleeting social moments in low light.)
Cheers,
Simon
In the 25 plus years that I've been using Leicas one of my main uses for them has been documenting social or work events that I'm participating in - usually when I'm sitting amongst the people I'm photographing, and often in very poor light because it's indoors, or late in the day. I know this is a familiar situation for many on RFF.
Until the M8, for me this usually meant a film M loaded with 800 ISO colour neg film, and more often than not a 35 'Lux wide open, or nearly so, shot at 1/30 or even 1/15. This can work fine - as long as you're able to juggle shallow depth of field and shoot when your subjects aren't getting too animated and moving around too much!
The M8 wasn't too much of a step up from film M's in handling these situations - and though the M9 is better, it's still in the same ballpark when it comes to dealing with real low light. You're having to really keep on your toes to make shallow depth of field and low shutter speeds work.
So, I've been wondering whether there are any interesting alternatives to try that would work better - or at least, differently - in these low light social situations.
I know there are plenty of cameras that can do a bit - maybe quite a bit - better than the M9 in low light.
But I know also that lots of them have problems focusing in low light.
So, if I want to try something that might be an interesting alternative to the M9 for this kind of photography, what should I try?
It needs to have significantly better high ISO performance than the M9 to open up the possibility of smaller apertures and faster shutter speeds.
It needs to be able to focus reliably and quickly on people's faces -preferably their eyes - in challengingly low light (all M's do this exceptionally well).
It needs to allow a good view of the subject for quick and responsive composition.
And it needs to be unobtrusive, quiet and easy to hold and pack - to make it easy to keep participating in the social situation.
So, what would this be? Fuji x100s? Any DSLR's? It always seems to me that there isn't anything out there which really nails all of the above features to make it an alternative to the M9. But I'd love to hear that I'm wrong.
Cheers,
Simon
Darthfeeble
But you can call me Steve
Best Low Light camera ever has to be the original X100. ISO 6400 is quite useable.
Phil_F_NM
Camera hacker
I'd say the very best low light social camera would be the Konica Hexar. Not the RF, the original AF one. I didn't see anything in the thread that said it was limited to digital cameras though it has concentrated on digital. Anyway, NOTHING focuses better in low light or complete darkness, better than the Hexar. It can focus better than any other rangefinder or contrast detection system due to active infrared. The lens is one of the very best 35mm lenses ever made. Stick some Delta 3200 in there and the combination can't be beat.
Phil Forrest
Phil Forrest
Fraser
Well-known
Nikon df (D4 sensor) and a 50mm f1.4, secondhand cheaper than a 35mm Summicron I don't believe even the latest Leica sensor is as good in low light.
Best Low Light camera ever has to be the original X100. ISO 6400 is quite useable.
But it does not (auto) focus that well in low light. The latest one, the X100F, is way better in this regard. At this point, there are many low light cameras...
Fujifilm X-T2 (-3EV and 12800 ISO)
Nikon D750
Sony A7S
etc
Ko.Fe.
Lenses 35/21 Gears 46/20
Canon 6D is most effective on high ISO and price with 50 1.8 modern lens, which is under $200. IMO. Weight is going to be less than M240 and ASPH Lux. Weight by all means. My social life under low light is FED-2 with J-3, at f1.5 and 1/30 it well balanced. By all means. With small DSLR, pancake lens and tiny flash I'm already the nerd among popular kids at the school.
kermaier
Well-known
Four years ago I started this thread with the message below.
What's changed since then? Is a digital M still the best tool for sitting amongst the social action and capturing great moments? Or have other cameras changed the game for unobtrusively capturing the moment whilst life goes on around you in a low light social setting? (For me, it's now an M240P with 35 Lux Asph - but I'm curious about whether that's still the best way to deal with the challenges of capturing fleeting social moments in low light.)
Cheers,
Simon
As others have mentioned -- and this was true 4 years ago as well -- the Fuji X100 is a small and and excellent low-light camera with virtually silent operation. I don't have the X100F, but I'm sure it's even better.
For a Leica M, I think there are better options now than the M240, which doesn't have the quietest shutter in the range. Unless your environment isn't very quiet, the M262 might be a better choice for what you're describing.
Darthfeeble
But you can call me Steve
But it does not (auto) focus that well in low light. The latest one, the X100F, is way better in this regard. At this point, there are many low light cameras...
Fujifilm X-T2 (-3EV and 12800 ISO)
Nikon D750
Sony A7S
etc
You are right on the AF, I was thinking of the image quality. I rely on the MF and hope that I've set it right for focusing in a really low light situation.
Emile de Leon
Well-known
A7s...w/silent shutter..
narsuitus
Well-known
Leica M10
Fuji X-Pro2
Fuji X-Pro2
PKR
Veteran
What kind of lighting is in the room where you want to photograph? Describe it as per type, quality, intensity and direction.
SimonPJ
Well-known
What kind of lighting is in the room where you want to photograph? Describe it as per type, quality, intensity and direction.
The lighting varies - but the key challenges of the situation are consistent. I'm talking about a very broad category of photography - but one which I'm sure is a very common one - especially among the rangefinder-style photography community.
Typically this would be sitting amongst family or friends in a café, or bar, or at the dinner table - or similar situations with work colleagues, plus other work situations, which might include workshops and meetings.
Lighting varies widely, of course, though the main thing is that it's constantly changing from front- to side- to back-lit as the conversation or action develops, and it's very often far from ideal in terms of colour temp or brightness.
Motion blur and shallow focus plane are perpetual challenges that you can often make work for you, but do lead to lost images. And it does seem that active photographing with a camera has become more noticeable and intrusive now that using a smartphone for photos has become taken-for-granted and 'invisible'.
I'm wondering whether waistlevel shooting with, say, a Sony A7s and a 28/2 lens might have advantages. Guess I'll have to try!
marko.oja
Established
I had a Sony a7s for a while. Wonderful in low light and takes the lenses you already have. But. The user interface really leaves you speechless if you are used to a Leica. Endless menus, small buttons and a too small frame (and I have Trump-sized hands...) resulted in me selling the camera after a while. It was fun to shoot at 25k iso, but in those conditions I found it rare that the light was worth recording...
Luke_Miller
Established
It was fun to shoot at 25k iso, but in those conditions I found it rare that the light was worth recording...
Exactly. I suppose journalists might need that kind of low light performance, but bad light generally results in unappealing images. I find adding my own light is needed to get the image I want even though I have DSLRs that shoot at astronomical ISOs.
furtle
Member
I had a Sony a7s for a while. Wonderful in low light and takes the lenses you already have. But. The user interface really leaves you speechless if you are used to a Leica. Endless menus, small buttons and a too small frame (and I have Trump-sized hands...) resulted in me selling the camera after a while. It was fun to shoot at 25k iso, but in those conditions I found it rare that the light was worth recording...
I use the A7S in low light with my M mount lenses. Strictly manual. In this mode it is excellent but once past iso 5000, the quality falls off. it's breeze to focus fast primes, wide open; the same primes you can use on your rangefinder.
I have read many posts criticising the Sony menu and people selling the camera because of it. I really don't get this. In manual mode, I probably only want access to a few settings and all are accessed from a single button. The other 90% of the functions I never use.
And yes, the A7S has silent shutter which is very useful. The A7S is getting on a bit now (in Sony terms!) but a great companion to Leica M cameras or indeed the Epson R-D1.
With a bit of practice using Lightroom, the image colours and warmth from the rangefinders can be closely achieved.
Archiver
Veteran
If you're after an autofocus camera with excellent high ISO capabilities and face detection, a lot of good things have been said about the Leica Q for these situations. I don't have one, but a number of user reports suggest it would be suitable for the dinner/restaurant/cafe situations like your describe.
Canon's face detection and AF speed is class-leading, but I'd be wary about dragging a 1Dx Mark II around the place.
Someone suggested the Fuji X100 cameras: I have the original X100, and while face detection is not its strong suit, it will focus fairly reliably in low light and on fairly low contrast subjects, as long as you learn its quirks. No experience with later models, though.
Canon's face detection and AF speed is class-leading, but I'd be wary about dragging a 1Dx Mark II around the place.
Someone suggested the Fuji X100 cameras: I have the original X100, and while face detection is not its strong suit, it will focus fairly reliably in low light and on fairly low contrast subjects, as long as you learn its quirks. No experience with later models, though.
FranZ
Established
I can truly recommend the Sony Rx1RmII for low light social photography.
Small, non-intimidating, silent and with a great 42mp sensor.
It has a leaf shutter, so silent is really SILENT.
I shoot during classical concerts without any problem.
Shooting at 6400 is no problem either, and the AF is considerably improved over the mod i.
If you can live with the 35mm focal length, this camera gives you the best image quality in a small form factor.
Small, non-intimidating, silent and with a great 42mp sensor.
It has a leaf shutter, so silent is really SILENT.
I shoot during classical concerts without any problem.
Shooting at 6400 is no problem either, and the AF is considerably improved over the mod i.
If you can live with the 35mm focal length, this camera gives you the best image quality in a small form factor.
Ronald M
Veteran
Nikon D750 at iso 6400. Use it for low light.
M10 beats M9 every day for low light. Keep same lenses.
M10 beats M9 every day for low light. Keep same lenses.
mpaniagua
Newby photographer
My vote goes to Canon 6d. Using a small lens it doesn't weight too much. Probably use some manual focus lens with adapters.My usual lens is a Leica R 35mm f/2.8 Elmarit-R II or Olympus 35mm 2.8. Very good handling and not that big 
Regards
Marcelo
Regards
Marcelo
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