Bill Pierce
Well-known
As of late some really remarkable high speed lenses have been introduced. There are some downsides. (1) Between the aperture, the focusing motor and designs dealing with sensor cover glass often the lenses are quite BIG. (2) Speaking of BIG, the prices are BIG. (3) But with today’s digital cameras you can have high ISO’s with little loss in quality, and those high ISO’s counter the need for high speed lenses.
I really enjoy working with slower lenses - and not just because they are cheaper. I like them because they are smaller. They certainly attract less attention when you are on the street, but they are, for me, more comfortable to use in any shoot and have little or no downside. I will confess, I do use some very high speed lenses for portraiture, but that’s because if everything outside of the eyes is out of focus, I have less retouching to do. When I look at equipment announcements on the internet, there is a plethora of large lenses with big prices, and for the first time in a long while I don’t feel a huge surge of equipment lust. Is this old age or common sense?
How do you feel about it?
I really enjoy working with slower lenses - and not just because they are cheaper. I like them because they are smaller. They certainly attract less attention when you are on the street, but they are, for me, more comfortable to use in any shoot and have little or no downside. I will confess, I do use some very high speed lenses for portraiture, but that’s because if everything outside of the eyes is out of focus, I have less retouching to do. When I look at equipment announcements on the internet, there is a plethora of large lenses with big prices, and for the first time in a long while I don’t feel a huge surge of equipment lust. Is this old age or common sense?
How do you feel about it?