Book Review: Lee Miller's War

ducttape

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I don't recall why I ordered this from Amazon. I think maybe I saw it in the Aperture newletter or something. Wow, good book. I've read all of the introduction and the first chapter and I am blown away.

Apparently, Lee Miller was a Vogue photographer. Finding herself in Europe during the war, she applied for and got press acreditation. She shot and wrote articles back to the Vogue editors.

Her pictures have such a warm touch that it's almost oxymoronic. Her writing is personal, descriptive, colorful and anything but what we read today. Knowing she is a Vogue writer, you see it all over her work. Not purposely, not flipantly, just her honest attempt to describe what she sees.

She describes colors and things that fill the senses. In a warpiece. 'The surgical tent had a white floor and white walls... the surgeons were changed from their olive fatigues into white gown, facemask and coif. Disgarded helmets on the floor. Six groups of people were around six operating tables. There was no ether smell of hospital because they use mostlyspinal nerve block, sodium pentathol and nitrious oxide.'

No, I don't get the feeling AT ALL that she is describing a fashion runway, just being incredibly observant of things that most war correspondents don't seem to see.

'Three of the patients were conscious... he had watched me take his photograph and had made an effort with his good hand to smooth his hair. I didn't know that he was already asleep with sodium pentathal when they started on his other arm. I turned away for fear my face would betray to him what I had seen.'

Then, I turned the page and there is this soldier, lying in bed, totally bandaged in face and hands. You can see 2 holes for eyes, one for mouth and something where the nose should be. The picture is not sharp at all. 'A bad burns case asked me to take his picture as he wanted to see how funny helooked. It was pretty grim and I didn't focus good.'.

Nurses leaving tents, standing dead tired at the door. Doctors leaning over surgical tables. And then, some nurses relaxing in their cot on a 12 hour break, before moving 6 miles, past two other mobile hospitals, to the front.

I'm really looking forward to reading the balance of this book. She has an incredible was of tying her photographs (which surely she did not see until sometime after) with her writting, which must have been done that very evening to keep it fresh.

I would highly recommend this book. It is more reading than visual, but there are 159 photographs. As a mixed media of words and images, it hits the spot.

Has any one else ever seen her work?
 
I keep looking at a couple of her books in appropriately enough the local book store. I find her pictures stunning and full of feeling. Regardless of if she was shooting at her home or on the the battlefield she managed to capture some of the character of those she was shooting.

If I remember correctly she put all her cameras, negatives and prints into storage after the war and never went near a camera again. Her son only realised that she was an important photographer after her death when he found her collection.
 
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Yes, her images were full of feeling. I think she was a great and rare combination of writer and photographer. Being the lover of Man Ray also got her connected to HCB, Capa, Picasso and other Artsy folks in Paris. There are several famous form/surrealist images of her taken by Man Ray, and one of the most famous of her (taken by someone else) is when she took a bath in Hitler's bathtub after Berchtesgarden was overrun by paratroopers.

Cheers,

C.
 
canonetc said:
Yes, her images were full of feeling. I think she was a great and rare combination of writer and photographer. Being the lover of Man Ray also got her connected to HCB, Capa, Picasso and other Artsy folks in Paris. There are several famous form/surrealist images of her taken by Man Ray, and one of the most famous of her (taken by someone else) is when she took a bath in Hitler's bathtub after Berchtesgarden was overrun by paratroopers.

Cheers,

C.

Yes, David Sche-something or other (his name escapes me, sorry David) took the picture. He happens to live about 10 miles from here, in Stony Point, NY

I read the next chapter tonight, about the taking of a French fortress captured and held during the war by the Germans. She describes things and brings them to life. She jumps in a 'Kraut' (she is VERY colorful) hole only to find body parts in it. She grabs one, throws it out and runs back towards the line, only to slip on the way on a puddle of blood. It's almost unreal.

How did I miss this work before? It's incredible.

TP, the Epilog of the book mentions her reluctance to talk about the war or anything German. After Lee's death her son's wife was looking for his baby pictures and came across folders of the work. She does descibe some things in incredibly graphic and colorful language. I imagine, like all of us, the best and most vivid still stays inside with us.

Also, I read that her films were sent to London for developing, so she probably didn't see her work until weeks, or maybe months, later. Even so, she manages to describe things in her articles, and have supporting photographs, as if she were writing a book with an editor!

Yeah! I still have more to read! What a treat!
 
ducttape said:
Has any one else ever seen her work?

Lee Miller must have been a wonderful woman, IMHO she had more inspiration in her little finger than Man Ray had in his surrealistic head ! For him she had worked as an assistant photog, which means he had the inspiration and she did the work 😀

She was the last who met Atget sme days before he died, and she has contributed to get the 20.000 glassplates archived.

When she ran her own biz later it was to be seen first what a great multi talent she was herself.

Bertram
 
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