Camera Features vs User Experience

OK, this might be too long to read... sorry....

OK, this might be too long to read... sorry....

...Unfortunately, too many not well thought out features or interfaces often destroy the user experience that established that model line.

"Destroy" seems to be the key emotion to your post. It seems that you want either simple operation or maximum automation. Camera market analysis from the Sixties to now have had this dilemma to deal with, whether modern buyers want simplified user experience through full automation (which lead to point-and-shoot film cameras that worked really well, but turned off power users), or simplified manual controls, through hidden automation, that left power users the feeling that they're controlling the photographic process by choosing the aperture and shutter speed. However, this being America, there has always been a market for "advanced amateur" cameras that have both automation and lots of manual controls so users can choose to control everything. Those cameras usually sold better if they had lots of "bullet points" of features that were supported.

I have some experience with marketing people and bullet points. I work for an Italian company that makes barcode scanners for many industries. (I test the mobile computers used for inventory and warehousing, route sales, airport luggage handling, etc.) We've had customers choose competitor's devices over ours because they listed more bullet points of features that were supported, even though the customer in particular might never use them all. So, after a couple of large sales that were lost that way, our marketing folks started to specify lots of extra features be added to our products so sales wouldn't be lost. There's a cost to this approach in added engineering and testing time, but we stopped losing out on sales.

I imagine that camera marketing managers have much the same challenges, and have had these challenges for years. The advanced cameras have to do everything that their competitors can do, plus something else too. This leads to problems of feature bloat, and feelings that there are just too many features. For a lot of folks, even technically advanced users like we have in this forum and like you, this complexity is very frustrating. This is made much worse by a poorly designed user interface. I've seen some dreadful UI's on cameras too. I have a Canon EOS Elan where some modes have to programmed by entering in numbers to numbered parameters in a tiny little LCD menu using push-buttons and a rotary encoder! Who thought that this approach would be OK? My Leica M3 offers the same level of control with many simpler analog controls, but they require lots of learning before picking up the camera. It's a different approach entirely, and I'm not entirely sure one is better than the other.

However, cameras aren't the only product with this problem of simplicity versus complexity of control. Cell phones are notorious for this, but so are cars. The best example I know is the problem posed when my mom rented a Prius at an airport a couple of years ago. She was used to her very standardized controls in her Subaru, and she's been driving for more than 60 years, so she isn't a novice with cars... BUT... the differences with the Prius' controls really flummoxed her. The rental company didn't even send someone out with her to tell her where the various controls were. She looked and couldn't find where to put the key to start the car. The shifter was completely alien to her. She couldn't find the speedometer, and even after she put the car into Reverse, and then into Drive, when she got to her destination she wondered how to put it into Park and then turn off the engine. She called me a lot from 3000 miles away that morning. I did a lot of Googling. Another example was Mercedes Benz S-series cars in the late 1990's. They realized that they had something like 110 discrete controls in their most expensive car, and their market research folks found that on average their customers used nine of them regularly. Nine. They asked their customers why they didn't use more of them, and they found out that there were just too many to remember. This was a hard thing for German engineers to understand. Engineers like control, and have good memories for understanding how to use complex systems. The market researchers had to repeatedly remind their engineers that Mercedes Benz customers are not usually engineers. A few liked the tremendous control that the S-series sedans offered, but most just wanted to drive the best car in the world and didn't really care about all the tricks it could do. They just needed to know how to make it do the simple things simply, without a lot of thought when traffic and life were complex.

I can imagine that both customers and engineers were feeling like the other side was destroying something important about using these products, whether they are cameras or luxury cars. I try to remind our engineers at my company about these competing needs, and try to mesh our marketing managers' non-technical outlook with these competing needs. However, with your original feelings of joy being destroyed, it seems like you need to look for a camera that offers the experience you enjoy, with just the right amount of logical and intuitive control over your photographic experience. That's hard. I've been a camera user for more than 30 years, and I still haven't found that ideal balance yet. It's hard to find.

Scott
 
Perhaps I failed to make myself clear.
The original post is not about simplicity vs complexity.

I admire the extra features in complex cameras and will gladly pay more for them, so long as they still work work in a fast and logical manner.
A favorite of mine in that category is the Canon T90.

The original post is talking about adding lots of extra features to a successful camera but failing to integrate new features successfully in the overall operation of the camera.
The result is a not well thought out machine which is slow to to use,
often because the interface is not that good
or the extra features are not easy to use.


Along those lines, I've noticed many complaints about the Sony A series menu system,
and a lot of compliments for most Nikon DSLR menus.

Extra new features are great to hype and sell a camera (or any other machine)
but next to useless if they are not easy and fast to work!
 
...
I admire the extra features in complex cameras and will gladly pay more for them, so long as they still work work in a fast and logical manner.

What's frustrating is using complex mobile device Apps that with intuitive and efficient user interfaces and then picking up a brand new digital body and fumble though a user interface that is (at least) a decade out of date.

This doesn't make sense. Compared to most mobile device apps, camera features are not that complicated. Functionality is relatively limited. So state-of-the art (expensive) CPU and graphics technologies would not be required. If the camera only supported dedicated, local WiFi connectivity, internet security is not an issue.

Another option would be using mobile device apps via Bluetooth The new W1 Bluetooth protocol is much more robust and reliable than previous Bluetooth imp-limentations. So people could have a choice to use the exiting old-fashioned user interface (assembly language based menus) or quickly link to mobile device apps via W1 Bluetooth communication. I have use Camera Ranger and Fujifilm's mobile Apps for camera control. Nether provides complete access to all assembly language menu parameters. But both effectively implement control of camera operation (focus, exposure and ISO). I'm sure there are other examples that are equally useful.

What is required is a transition from assembly language programmers completely running the show to teams involving people who know how to build intuitive, user-friendly tools.
 
Let me put one thing first: If a camera doesn't have a good optical viewfinder, it's a non-starter. I am biased that way 🙂

To me a great example of that is the wonderful initial design simplicity of the Olympus OM1 and OM2 which was destroyed in the over featured and slower to use OM3 and OM4 series
-- not that OM3 and OM4 lovers are likely to agree.

You got that right. The OM[34] are great examples how to improve an existing use model (basically leave OM[12] use model as is) with an essential feature that you can use or ignore (spot metering).

Regarding other cameras, not sure. I guess I have avoided most cameras that I wouldn't like using. My most advanced user interface in a film camera is in my Maxxum 9: all the basics are easily and quickly accessible - and the camera can be customized (once in its lifetime?) via some complicated mostly hidden menus. Good stuff. But it took Minolta a while to get there - the 9xi is the exact opposite: it shows how not to do it.

Regarding modern digital cameras (non RF) ? I have to admit that I haven't found one yet, that I like. They are all harder and slower to use than my type 240. The old A850/900 comes close in usability to the great Maxxum 9, but I still depend sometimes on some complicated menu settings which I hate. Even the X100S, I dislike for similar reasons - and I keep trying to get used to it.

Roland.
 
Perhaps I failed to make myself clear.
The original post is not about simplicity vs complexity. . . .
Dear Stephen,

Except insofar as "simpler" means... um... simpler.

I fully understand what you mean about features that are hard to implement, but you must also agree that if they aren't there, they can't be difficult to implement.

There are many features on my Df that I don't use, but most of them don't matter, so I don't care. But equally I wonder how many were put in for informed USERS of the camera, and how many for uninformed BUYERS -- as Skusera well illustrates/summarizes.

Cheers,

Roger
 
I had an OM3 from when they first came out; I didn't have it long as it was stolen. While I had it I really liked it and started to get used to the 8 spot metering program which I thought was the bee's knees. 'Course, that's all water under the bridge now, but I do miss it.
 
Along those lines, I've noticed many complaints about the Sony A series menu system,
and a lot of compliments for most Nikon DSLR menus.

I agree with both points. My Sony A6000 is a mess of confusing menu options and buttons with customizable functions. I spent a half hour recently trying to figure out how to set the white balance manually in degrees Kelvin. Then the next time, it was another half hour trying to manually move the focus area when in single-area AF. Both can be done, but it requires a lot of diving into the menus.
 
As simplistic as a M is I'd say most Leica shooters seldom use their cameras' hot shoes...which wouldn't bother either.

Features are fine, as long as the additional ones don't get in the way, or in other cases, to be lacking where you need them.

My new X100F has 6 customizable Fn buttons, a rotation ring, 6 dials (4 are dedicated), 1 joystick, a user defined Q button (and Q menu), a user defined My Menu...looks like you can tweak the camera in which ever the way you'd possibly like. The reality is, you can't.

A design that remained unchanged since the first X100 is, in the "Viewfinder Only" mode you are allowed to use only the viewfinder - not only for framing, but also for ALL menu options and adjustment. I find it to be quite inconvenient - how'd they expect people preferring bending over and sticking their eyes to the EVF (being totally blacked out in that mode) for extended time to do all the tweaks?

Maybe there actually are people who prefer it that way. With the degree of customization current generation Fuji cameras allow, you'd expect there would be an option allowing you to choose whether the EVF or the LCD should be used. Well there isn't.


The X100F is still an excellent shooting machine overall, and much praise does Fuji deserve for continuing to refine their products, yet I still hope they'd learn to curate more - instead of mindlessly throwing everything (which in the X100F's case, isn't everything) at the user and call it being "versatile".
 
Ever in the chase to add more features for camera techies in the sales quest,

camera manufactures often pile on feature after feature in newer improved cameras.

Unfortunately, too many not well thought out features or interfaces often destroy the user experience that established that model line.
....
Stephen

I agree that that has indeed happened several times.
But there are also very positive examples for manufacturers implementing more features and simultanously improving the ergonomics.
Best example for that is the Nikon F6:
It has much more and significantly improved features / capabilities compared to the F4 and F5.
And the F6 has also in addition much improved (I say perfect) ergonomics and handling.
A real joy to use this camera!
 
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