Capa's Unpublished (till now) Colour Photos

Some really nice images. Thanks for the link.

(Who knew Capa was using Hipstamatic filters on his photos?)
 
Photo #17 is the last one he took ever. A few minutes after that, he jumped.

Something wrong in the captions : photo #3 cannot have been taken before photo #2. In 1941 Capa was locked home in NYC as an "enemy alien". He came back to Europe onboard the "Allied convoy" (photo #2). Then he moved to North Africa. So photo #3 was probably shot in 1943 or in 1944, just before the D-Day. And - in 1941 the RAF wasn't bombing France yet.
 
I am curious as to why some of these appear to be cropped. I assume the square images are Rollei, but some of the rectangular ones are a different aspect ratio from 35mm, they are not 3:2. I wonder if they are cropped from 35mm or from Rollei.
 
Interesting to compare his color-work to his BW photography, from the selection shown these were not taken that close-up, more like from the position of a more distant observer. Now if there would be some color-photos taken by him during his stay in Japan, that would be most interesting. 🙂
 
I just went to this exhibit at ICP on Saturday and it was really amazing. The stories associated with the photos were interesting too, particularly Capa's trip to the Soviet Union with John Steinbeck. I have to say that aside from his war reportage, my favorite images are those he took in the Alps, they are really something else. I would recommend anyone in or around NY to check it out.
 
I was also at this ICP exhibit last weekend in NYC and was not that impressed. Some of them, particularly the Rolleiflex ones look great as prints (especially one taken in Paris with beautiful light) but absolutely terrible in the magazines they were printed in. The ones I liked the best were the first pix in the exhibit; the convoy across the Atlantic (on the two walls in the snap below). They seemed to be closest in spirit to the work he did in Spain with Taro.


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I went to the ICP show today. It was very interesting, though the quality of the photos was mixed. The WWII shots were the strongest, I thought.

What I found particularly interesting was that the Kodachrome shots apparently needed little adjustment, as the emulsion was still in very good condition, while the Ektachrome shots had degraded considerably and needed lots of correction, with the blues and cyans virtually disappearing in some cases. It seemed pretty clear which shots were recorded on which emulsion, in spite of digital post-processing (which was discussed in some detail).

Reading some of the correspondence also shed light on the difficulties Capa (and others, presumably) were having with the early slide film - there were several mentions of the need for UV filters (Wratten 2a or Ansco UV16, IIRC) and complaints of overall green casts, as well as some questions as to whether the emulsions were in good condition when provided. This, plus the additional time for development and costs of printing, made it much easier to understand why so few of the color images were published at the time.

Certainly a worthwhile show if you're in the area.
 
Thanks for posting.

The last photo: On the road from Namdinh to Thaibinh, Indochina, (Vietnam), May 1954

If I am not mistaken, this would be one of his last photos if not the last. Soon after this he moved off to the side and stepped on a landmine.
 
A true B&W photographer to the end. Exposing for the shadows even in colour transparency. I might be wrong but I think some of the images were shot on early Kodachrome.
 
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