35mmdelux said:
Its more about working fast rather than the color of your camera.
That, and the fact that, in my case, most every camera I've owned that mattered to me, was offered with the famous "Model-T color option" (any color you like...).
Roll call, in chronological order:
Canon F-1
Canon EF
Canon A-1
Pentax LX
Nikon F3
Nikon F2 Titan
Leica CL
Rollei 2000F
Minolta 9xi
Konica Hexar autofocus
Konica Hexar RF
Konica Auto S3
Yes, yes, a few of the above came in bright-finish Special Editions (for which one paid dearly), or, in the case of the Auto S3, a home-market version that happened to be chrome (C35 Super...now,
there's a collectible fixed-mount RF for you). But for the most part, essentially, it was black or nothing.
I've said this before, but I don't particularly care whether I actually am "stealthier" or not using a black-finish camera; the point for me is that I
feel stealthier, or at least a bit less noticable, with a camera in said finish, and that counts a bit in terms of how I approach a situation with camera(s) in-hand. Working with speed and calm confidence is a good deal more important than your camera's finish, but I've yet to experience a situation where a black camera got in the way.
(FWIW, I think the Hexar RF's semi-matte black epoxy finish, besides being quite durable, is about as unassuming a finish as a camera can have...moreso than a black-paint Leica, which has a sheen that would humble a Steinway Concert Grand)
- Barrett