Classic Darkroom
I lived in a single apartment for four years and after I bought a Beseler 67 enlager to accompany my 35mm enlarger, I stopped eating at home. The only place for the Bes67 was on the stove. I was so obsessed with printing that eating at home took last place. Due to inexperience, I ended up getting ill from poor ventilation. and probably a McD's diet...! Then I moved into a 1-bedroom and vowed to have not only light, but a kichen I could cook food in. Sounds good, huh? I built frames around the windows and back door to insert removable black drape, and rigged up a bathroom ceiling van (with the air vent hose running to the window screen and surrounded by black fabric) beneath a cabinet that would sit directly over my chemical trays and suck the vapors out the window. The larger kitchen allowed plenty of space for both enlargers against a wall (and on top of cabinets which hold paper and finished prints). I still love processing film and printing. I bought a small daylight-balanced light board that can hold 4x5 or 6x9 negatives. I use this, rarely, to scan negs using my flatbed. Results are mediocre compared with scanning a finished 8x10 matte RC print. Overall, if you have a darkroom with good ventilation, you are lucky. I've also found that by processing my own film, I do not get the dirt, hairs and scractches that always seem to accompany ANY black-and-white film I send out to a lab. They just don't have the time to give the right care to film. With a darkroom, your work is not at the mercy of someone else. The digital darkroom is okay, of course, but nothing compares to watching your image rise from the paper beneath a red light. And you did it all by hand.
Chris
canonetc