rolleistef
Well-known
thanks all, it would be for classical music.
the Rollei T is definitely too loud. It may need a CLA but it is a kind of exception in the Rolleiflex collection. It produces a sharp "tikclak", in fact it's not the shutter you hear most, it's the trigger mecanism.
The other quiet camera I have is a Kiev 3a but it's definitely not reliable enough.
So the quietest of all still is the M (and the Hexar AF of course but not that convenient for concerts, 35mm...)
What I used to do was using a DSLR with a 135 (200 equivalent), so that I could be far enough from the stage (during rehearsals mostly), and thus it didn't disturb anyone. Now my dslr was stollen but the insurance may give some money, so the point is : shall I take a M/quiet RF or shall I keep on using DSLRs with a tele? (and the other question : for the same price, buying a camera that will be worth two and a half peanuts in a few years time or a solid handmade piece of glass and metal? Technology or art? K10D or M2/3? but that's yet another debate...)
the Rollei T is definitely too loud. It may need a CLA but it is a kind of exception in the Rolleiflex collection. It produces a sharp "tikclak", in fact it's not the shutter you hear most, it's the trigger mecanism.
The other quiet camera I have is a Kiev 3a but it's definitely not reliable enough.
So the quietest of all still is the M (and the Hexar AF of course but not that convenient for concerts, 35mm...)
What I used to do was using a DSLR with a 135 (200 equivalent), so that I could be far enough from the stage (during rehearsals mostly), and thus it didn't disturb anyone. Now my dslr was stollen but the insurance may give some money, so the point is : shall I take a M/quiet RF or shall I keep on using DSLRs with a tele? (and the other question : for the same price, buying a camera that will be worth two and a half peanuts in a few years time or a solid handmade piece of glass and metal? Technology or art? K10D or M2/3? but that's yet another debate...)