The in-camera CS is used by the JPEG engine only: so, sRGB for the monitor, AdobeRGB/ECI for the post-processing(JPEG post-processing?). The profile is not embedded in the DNG.
Actually, the profile is embedded in the DNG file. The sensor writes the same information to the DNG/Raw file regardless of the chosen profile, but whatever color space you've chosen is, indeed, embedded there. You can convert to a different color space later, of course.
I use Adobe 1998, as its gamut is better-suited to output to a print.
ProPhoto is what I set the color space in CS2 to work in, along with 16 bit. It is such a wide gamut of color. I knock it down to Adobe 1998 when I submit my work to an agency or for web viewing.
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