Roger Hicks
Veteran
Dear Gary,gns said:Thanks Roger.
So all slower films are less responsive to contractions?
Is there a popular recipe for a 100-125 speed film / dev combo that you would recommend?
Gary
Para 1: you're welcome.
Para 2: pretty much, yes. In one sense they are MORE sensitive -- you control only the slope of the straight line portion -- but in another, the highlight/shadow balance is a lot easier to control with a fast film.
Para 3: FP4 or Fomapan 200 (200 only in Microphen, and then barely, but trickier because it's loaded with developent accelerators). Dev in a two-bath developer. I have seen convincing studies that weaker dev/lower temps/shorter time can give substantially identical D/log E curves to 2-bath, but for VERY contrasty scenes, 2-bath should have the edge.
Then again, generous exposure (to get all the important material on the straight line, and little or none on the toe) will record a shorter range, but record it more faithfully -- and you should have enogh tonal range anyway, if you don't use a compensating developer.
Remember too that compensating developers 'stretch' the shadows and highlights at the expense of the mid-tones, and that often, the best tonality comes from strong mid-tone separation.
Finally, you might want to look at Mortensen's theory that photography is best suited to short tonal ranges, and revise your style so that you just let shadows go hang anyway. I've never had much success with it, but I know it can be made to work.
I think this is mostly correct but today was the old folks' lunch with aperitif, lots of red wine and a digestif of home-distilled plum brandy, and I'm drinking a whisky nightcap as I write this...
Cheers,
R.
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