You feel like an idiot reaching for a cheap FE2 when your cabinet has an R8, 30D (was a 5D), a 180/2 apo, 90/2.8 latest, etc. But there is something about the size, mechanical nature, lack of palstics, etc. The VF is also sweet.
Had ugly issue getting my 5D to MF accurately with the super matte screen. Should have sent it to Canon for calibration (apprently necessary with some 5Ds + precision matte screens), but got PO'd and sold it. 30D is nice, very nice, but the VF even with a Katzeye (recommended) is still a bit dark.
The R8 I love. Hate the idea of parting with it. Am experimenting with film, but local lab options are very, very limited and I'm used to the acuity of digital (have owned 5D, 1ds Mk1 & 2). DMR would be nice, but for 1/2 the coin could get a 1ds mk1 with the thin AA filter, same ISO performance and size and save the R8 as backup....?
I am strictly MF on R glass, so that's not an issue. The size would also be nice. Had my R8+180/2 out the other day and you stand out like a sore thumb.
Always said if someone made a small, robust minimalist digicam with great (metal) interchangable optics decent noise performance (I print heavily in B&W and shoot soley RAW so some noise in high ISO conversion is fine) and a skinny AA filter I'd be there. The more I look at it, the more the M8 fits that bill.
The 180/2 and my scanning gear may have to sacrificed on the M8 altar afterall.