rbrooks
Established
The 9000 is arguably better. Apart from the obvious fact that it can also do medium format the diffuse lighting is the preferred method of scanning. This helps reduce dust and even grain aliasing. Retouching is a simpler process.
The Minolta 5400 also has this with the grain diffuser. However it's quite a bit slower. And more importantly doesn't have an easy glass carrier solution.
My preferred workflow (currently) is on the 9000 with the glass carrier. I scan a full frame 35mm negative including rebates in Vuescan. I only use 1 pass and fine mode. I've found multiple passes doesn't bring much at least with the black and white negs I'm scanning. Also I've found the multi-exposure doesn't add anything either. I do try and lock exposure on the rebate or empty frame so I know where to clip/not clip my shadows.
In short, I follow a very simple, standard workflow in Vuescan and let the scanner do the rest.
In an ideal world I'd like to see a glass carrier for the Minolta 5400. The Minolta does pick up to just past the edge of a 35mm negative, i.e. black borders, if you jury rig / glass sandwich a negative into the slide holder.
However, I dont want to cut my negative strips (5 or 6 frames) into single frames.
Having said that I can imagine someone with a 3D printer could craft a glass carrier for the Minolta and we'd be close to ideal.
Until that time I have to lean towards the 9000 unless you really need the batch scanning of the 5000. However, the time you save with batch you'll just lose with retouching that you won't need as a result of the 9000's diffuse lighting.
The Minolta 5400 also has this with the grain diffuser. However it's quite a bit slower. And more importantly doesn't have an easy glass carrier solution.
My preferred workflow (currently) is on the 9000 with the glass carrier. I scan a full frame 35mm negative including rebates in Vuescan. I only use 1 pass and fine mode. I've found multiple passes doesn't bring much at least with the black and white negs I'm scanning. Also I've found the multi-exposure doesn't add anything either. I do try and lock exposure on the rebate or empty frame so I know where to clip/not clip my shadows.
In short, I follow a very simple, standard workflow in Vuescan and let the scanner do the rest.
In an ideal world I'd like to see a glass carrier for the Minolta 5400. The Minolta does pick up to just past the edge of a 35mm negative, i.e. black borders, if you jury rig / glass sandwich a negative into the slide holder.
However, I dont want to cut my negative strips (5 or 6 frames) into single frames.
Having said that I can imagine someone with a 3D printer could craft a glass carrier for the Minolta and we'd be close to ideal.
Until that time I have to lean towards the 9000 unless you really need the batch scanning of the 5000. However, the time you save with batch you'll just lose with retouching that you won't need as a result of the 9000's diffuse lighting.