I'm calling BS on this one, I went and looked at the image info in PS, and checked the histograms of both the raws and the submited image and the difference is huge, put it this way, if he would have been shooting slides, he would have had clear strips of film.
This guy did selective color corrections, color boosts, one image looks like he painted one wall with some blue to match the rest of the image.
And as far as I can see, a photojournalist that can't get an exposure right in camera has no business complaining when the judges decide that the processing is overdone. And regarding conveying the original conditions of the shot, these manipulations are very far from what was to be seen at the location, if he wanted really saturated colors, he could have set it in camera and shot RAW + jpg, checked his LCD on his D700 for exposure and bracketed when he was unsure. None of these scenes where going to disappear faster then the 10 seconds it takes to bracket a shot.
If i was to turn in RAWs like that to my editor, he would have:
1. not published any of it
2. asked me what the hell was wrong with me
3. and never given me another assignment again
If he wants to compete in a "who has the maddest photoshop skillz", he may win, for photojournalism, this is well deserved.