MCTuomey
Veteran
great thread - now i comprehend why i do what i've done for awhile with my M8. i've always compensated by about a stop when scale focusing, just my gut-feel based on the crop-induced change in effective focal length.
Just went there and compared the M8 to M9 with 75/1.4 @ 1m.
It shows the proper results, per my previous posts, and is in agreement with Leica, God, and Einstein.
Just went there and compared the M8 to M9 with 75/1.4 @ 1m.
It shows the proper results, per my previous posts, and is in agreement with Leica, God, and Einstein.
I took this photos a while back when someone asked a similar question about depth-of-field and the difference between an E-P1 and M8.
I took some test shots. Nothing scientific. I sat on the kitchen floor and shot my refrigerator. On the E-P1 was the 25mm f/2.8 Pancake lens. On the M8, the Zeiss f/2 Planar (shot at f/2.8). I moved back slightly with the M8 to get the same FOV.
E-P1, 25mm f/2.8 Pancake at f/2.8
![]()
M8, 50mm f/2 Planar at f/2.8
![]()
If you want to switch back and forth between the two, here's the URLs...
http://www.dangrabbit.com/photography/albums/test/EP1_25mmf28.jpg
http://www.dangrabbit.com/photography/albums/test/M8_50mmf28.jpg
There's clearly more DOF in the E-P1. I suspect if you did the same comparison with the M9, the difference would be even more drastic.
Nothing wrong here. This is expected when you are changing both focal length and object distance. But this is not the discussion.
The test would be to shoot both the E-P1 and M8 with the same lens and from the same distance. The depth of field will not be the same in the resulting images--the angle of view will be different as well.
So, when you use the depth of field scales on a 35mm lens on your E-P1, are the scale still accurate. Or are they off by two stops--for example, the f/5.6 scales are correct for when the lens is set to f/11.
What I was after was comparing same FOV at the same aperture.
Can't argue it because in practical terms it doesn't mean much. A 50mm lens on an E-P1 has the field of view of a 100mm lens, so it's highly unlikely I'd use the same lens on each camera to accomplish the same photo.
That's a question I've been trying to figure out, and I'm not sure. But since a 25mm lens on an E-P1 would effectively be a 50mm lens, I'm going to be a whole lot less likely to try to use it at a hyperfocal setting.
It APPEARS, from my limited shooting with the CV 15 on the EP-1 that to get hyperfocal you don't need to adjust by 2 stops... however, I'd ask someone with a whole lot more experience using that combo than me...
Of course, I'm guilty of going off topic here... The comparison was the M8 to the M9/MP, and in that case the difference is a whole lot less. Going from a 1.3 crop to full-frame certainly isn't going to yield such drastic differences.
Besides hyperfocal distance, did you also notice for one camera they used .023 mm coc, and for another camera .03 ?
😀😀😀😀 You don't even know what rounding errors are. :bang::bang: How are you going to go through the science. 😛But I think we're diverging here, and should have another thread if you want me to go step by step through the science.
Amy, there are multiple variables going on here. What you could do easily, would be to isolate out the lens and focal distance.
So to compare DOF effects with M8 and EP1, stay at the same distance, and use the M lens on both cameras, focus on the same spot.
Of course the EP1 shot will appear to be "zoomed in" so for the purpose of DOF comparison, mask off the excessives of the M8 shot. Don't use photoshop, or cropping, just print them and block them off with paper and examine.
...Right, but you are changing things like focal length and object distance which will impact DoF...
To point out the ridiculousness of trying to quantify DOF to the 2nd or 3rd digits of a mm, imagine this scenario:
Imagine if all readers of this thread printed out Amy's 2nd image, for example at our local Walgreens, CVS, Costco.
Then independently, we tallied our results on which words were in focus vs out of focus, and observed our differences. After this proposed exercise, do any of you think dofmaster is something you want to use for critical photography??
😀😀😀😀 You don't even know what rounding errors are. :bang::bang: How are you going to go through the science. 😛
Distance, yes, but you do realize that focal length alone (assuming constant magnification, i.e., object size occupying same portion of frame) does not change depth of field...http://www.cambridgeincolour.com/tutorials/depth-of-field.htm (You can also click on the Luminous Landscape link at bottom of the article for another visual presentation of the same principle.)
Jeff
PS General observation for the OP...the DOF markings on all modern lenses haven't been close to accurate for some time. This article is useful...http://www.trenholm.org/hmmerk/DOFR.html
DoF will decease as the sensor size decreases from a format designed for a specific lens. There is a relationship to the crop factor. A crop factor of 1.4 means the DoF field decreases by one stop (1.4 is the square root of 2)--if the lens is set to f/8, use the f/5.6 DoF marks on the lens (the difference between 8 and 5.6 is a factor of 1.4 or the square root of two). If the crop factor is 2, then use the f/4 DoF marks if the lens is set to f/8. So with the M8 with a 1.33 crop factor, I would use the lens DoF marks for the next larger aperture.
DoF decreases because magnification to a final display size increases.
This is incorrect. DoF doesn't change based on sensor size, but the working distance for a given focal length to get the same perspective does. For a 1.5x sensor you would have to stand 1.5x further away to achieve the same framing. Because you are 1.5x further away you will have MORE depth of field. This has nothing to do with the magnification for prints, etc. The hyperfocal markings on the lens still apply to crop sensors because of this. A 50/1.4 Lux has the same DoF at 10' on the M8, M9 and m4/3.
Makten needs to show up in here. He is DoF explainer number one fan.