S
StuartR
Guest
I am a huge fan of the 75mm focal length after buying a used 75 summilux a few years ago. It is one of my all time favorite lenses. I love the way it draws an image, and how you can control sharpness and depth of field so dramatically. But, as everyone knows, it is not a svelte lens, and it turns the M camera into a fairly heavy piece of kit. It is also a rather demanding lens, with a long focus throw and extreme sensativity to focus when wide open. Given my love for the focal length, I borrowed a 75 cron from Tony Rose to compare. I wound up buying it. Now, I am not giving up my 75 lux, as I still love it, but the 75 cron shows some equally amazing traits. Depsite being the same focal length, I think these lenses compliment each other very well. The 75 lux is wonderful for portraits, for very low light photography and for extremely shallow depth of field. The 75 cron excels at very vivid color, extraordinarily fine detail, and it is far more compact and lighter. All that said, in terms of absolute performance the lenses are not that far apart. Here are a few sample images:
The first two are portraits taken at f/2. I apologize for not being in the exact same position, but I moved a bit when changing lenses.
Now I have not adjusted the color of levels at all, so these are straight from the scanner.
Fairly close no? Here are the 100% crops:
Ok, so which is which? Well in both cases the first one is the 75 cron. In the 100% crop it is definitely clearer, but you must remember that it is also closer to the eye than the other picture. More interesting is the presence of a bit of chromatic aberration on the rim of the glasses in the picture taken with the 75 lux. This color fringing is totally absent in the 75 cron. It appears that the APO designation is justified in this case. I imagine that this will become an even greater advantage in the future Digital M.
Ok, so any differences in that test could conceivably be chalked up to subject movement or camera shake, so I did a few tripod tests. I shot these on an M7 .85 using the viewfinder magifier. I focused VERY carefully, but as you will see, focus is so critical with these lenses that it is not even totally reliable with a tripod and a greater than 1:1 VF.
Point of focus was the butterfly's head
75 lux at f/2:
75 cron at f/2
The first two are portraits taken at f/2. I apologize for not being in the exact same position, but I moved a bit when changing lenses.
Now I have not adjusted the color of levels at all, so these are straight from the scanner.
Fairly close no? Here are the 100% crops:
Ok, so which is which? Well in both cases the first one is the 75 cron. In the 100% crop it is definitely clearer, but you must remember that it is also closer to the eye than the other picture. More interesting is the presence of a bit of chromatic aberration on the rim of the glasses in the picture taken with the 75 lux. This color fringing is totally absent in the 75 cron. It appears that the APO designation is justified in this case. I imagine that this will become an even greater advantage in the future Digital M.
Ok, so any differences in that test could conceivably be chalked up to subject movement or camera shake, so I did a few tripod tests. I shot these on an M7 .85 using the viewfinder magifier. I focused VERY carefully, but as you will see, focus is so critical with these lenses that it is not even totally reliable with a tripod and a greater than 1:1 VF.
Point of focus was the butterfly's head
75 lux at f/2:
75 cron at f/2