Digging Deeper Into Vivian Maier’s Past / New York Times

Intriguing. It is not necessarily like me to do so but I see half a reclining nude in that road in the foreground of the haute-alpes.....
 
I don't know. It is possible the author of the piece leaves a lot out, but, at least from the evidence here, there isn't much new which Ms. Ames has uncovered. We already knew she had a brother named Karl, just not his history, which seems unrelated to Vivian's. The new parts, what little there are, seem conjectural. Having a couple of books of Maier's photographs I was also surprised to see them described as "edgy". Then, no matter how hard I try, I can't seem to see a nude on the road in the Alps picture either, so maybe I am just totally off🙂
The movie documentary was fascinating, though.
 
I don't understand how doing some research of her past could equal saving thousands of her images from being lost forever! Without her images, there would be nothing to talk/discuss/research about.
 
Whatever adjectives ones uses, and no matter how complete (or not), her work and story are fascinating. An obsessive need to photograph, a broken family, a challenging childhood, a life of serving well-to-do families and children, sustained solitude - not exactly one's high interaction rat with a rolleiflex.
 
. . . . Linking Vivian Maier to a significant woman photographer, at an impressionable age, seems to me a piece of the puzzle that had been missing. It's a clue to where she learned her craft, and who might have been an influence.

I agree.
There must be an interesting story in their relationship as photographers.

I also don't see her (VM) as a dark, shadowy photographer. That wording is overly dramatic.
 
Whatever adjectives ones uses, and no matter how complete (or not), her work and story are fascinating. An obsessive need to photograph, a broken family, a challenging childhood, a life of serving well-to-do families and children, sustained solitude - not exactly one's high interaction rat with a rolleiflex.

I think her photography was her "escape" and "enjoyment".
I agree with the Rollei statement, she bought after she inherited some money from her parents deaths. She just wanted a quality camera,
possibly her Nanny income was not enough to save up for one.

There was one photo where she had a Robot Star as her camera.
 
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