Out to Lunch
Ventor
I agree, it's a great camera, especially for black and white.
Digital Black and White.
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Dogman
Veteran
A trip to the groomer yesterday. Always nice to see the dogs.
Nikon D3, 35/2 Nikkor AI-S lens.
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Nikon D3, 35/2 Nikkor AI-S lens.
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By-tor
Well-known
Benjamin Marks
Veteran
Goofin'. Pentax K-1, 100/2.8 macro. Converted to B&W in Sliver FX 6, Down-sized and converted to Grayscale in PS2023. On the original, you can count the subjects' eyelashes. Sometimes it is hard to know what to do with all that resolution. Shot outdoors facing south in open shade, no extra lights.
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Tuna
Fotoğrafçı
Leica Q2M
Out to Lunch
Ventor
Dogman, Lovely expression. I suspect that the groomer got too close to the Crown Jewels.
Out to Lunch
Ventor
Paris. The original Fuji X100.
By-tor
Well-known
Leica Q
boojum
Ignoble Miscreant
Out and about with the Pixii A2572 running the beta firmware with AUTO ISO. This is in the Pixii native mono option where somehow the Bayer filter is taken out of the equation in the RAW file. These are JPG, SOOC. Nice, I like it. It choked and overexposed the first two today but settled down and ran fine for the next 25 shots. I'll spare you the gamut. But here are two. Yes, I do think I will abandon the -0.5 EC and just shoot it straight and see if I do get blown highlights. I am just starting in B&W after leaving it when I left my Vito II a long, long time ago, like 1954. The lens is the Canon 28mm f/2.8 LTM.
We have mostly boats here. There is lumbering but looking at trees gets boring faster than looking at boats. Here's two boats. The first is a resurrected pilot boat, the Arrow II. It ran pilots out to ships coming in across the Columbia Bar and those going out would have their pilots retrieved on the far side of the Bar, in the Pacific.
The second is a private power boat in drydock, "up on the hard," and I thought it looked nice so I snapped it. Yes, both underexposed. I have changed the EC to 0. Which means I can't blame the camera anymore. Well, I can, but that might be stretching it a bit. The boats:
We have mostly boats here. There is lumbering but looking at trees gets boring faster than looking at boats. Here's two boats. The first is a resurrected pilot boat, the Arrow II. It ran pilots out to ships coming in across the Columbia Bar and those going out would have their pilots retrieved on the far side of the Bar, in the Pacific.
The second is a private power boat in drydock, "up on the hard," and I thought it looked nice so I snapped it. Yes, both underexposed. I have changed the EC to 0. Which means I can't blame the camera anymore. Well, I can, but that might be stretching it a bit. The boats:
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Keith
The best camera is one that still works!
Nikon D4 (silver efex)
mfunnell
Shaken, so blurred
Yokosuka Mike
Abstract Clarity
Fujifilm X-T2, Voigtländer Nokton 35mm f1.2 (X-mount) lens
August, 2023 - Yokohama, Japan
Image is lower resolution than original
August, 2023 - Yokohama, Japan
Image is lower resolution than original
By-tor
Well-known
Leica Q
Out to Lunch
Ventor
Hue, Perfume River. Fuji X-Pro1 - XF 1.4/35 R.
Arnold Layne
Well-known
M8 | Summicron-C 40
By-tor
Well-known
Leica Q
By-tor
Well-known
Leica Q
Yokosuka Mike
Abstract Clarity
Sony A7III, 50mm f1.5 Heliar Classic VM lens
September 2023, Yokohama Japan
Image is lower resolution than original
September 2023, Yokohama Japan
Image is lower resolution than original
Yokosuka Mike
Abstract Clarity
Sony A7III, Voigtländer 35mm f2 APO-Lanthar Aspherical (Sony E-mount) lens
September 2023, Yokohama Japan
Image is lower resolution than original
September 2023, Yokohama Japan
Image is lower resolution than original
Keith
The best camera is one that still works!
Is that ^ out of camera or is there a fair bit of post involved. It's very contrasty but I quite like it ... reminds me of Neopan 400.
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