Bill Pierce
Well-known
In the days when the wet darkroom dominated photo processing, there was one developer that dominated the b&w darkroom - D76 (or its twin, Ilford ID-11). But there were a slew of other developers, Rodinal, Microdol-X, Promicrol, Acufine, Diafine, Ethol T, UFG, D-23, that were popular. Usually they had a relatively unique quality that suited a specific photographers work and became their main “soup” or an often used alternative.
The digital darkroom is dominated by Lightroom with perhaps Capture One running second with both sometimes being bounced into Photoshop for a final fix. But, again, there are a slew of other “developers” that photographers can use because they have certain features or produce a certain “look.”
Me, I’m basically a Lightroom dude with a little Iridient tossed in for Fuji files. But my “often used alternative” is PhotoNinja. It’s set up quite differently from many image processing programs and allows you to immediately choose from 13 presets (normal, 3 color “portrait” setting, 3 color “scenic” settings 6 black-and-white settings). This immediately gives you 13 previews of possible interpretations of the image all of which can then be fine tuned or changed drastically with relatively conventional controls. (And for some reason that is a complete mystery to me, it is outstanding in its ability to hold highlight detail.) I like it because it can show me interpretations I wouldn’t normally consider or really even think of. And it does this while producing a high quality final file.
I would love to hear from any of you who also have experience with an “alternative” digital soup and find it offers certain advantages over the “big boys.”
The digital darkroom is dominated by Lightroom with perhaps Capture One running second with both sometimes being bounced into Photoshop for a final fix. But, again, there are a slew of other “developers” that photographers can use because they have certain features or produce a certain “look.”
Me, I’m basically a Lightroom dude with a little Iridient tossed in for Fuji files. But my “often used alternative” is PhotoNinja. It’s set up quite differently from many image processing programs and allows you to immediately choose from 13 presets (normal, 3 color “portrait” setting, 3 color “scenic” settings 6 black-and-white settings). This immediately gives you 13 previews of possible interpretations of the image all of which can then be fine tuned or changed drastically with relatively conventional controls. (And for some reason that is a complete mystery to me, it is outstanding in its ability to hold highlight detail.) I like it because it can show me interpretations I wouldn’t normally consider or really even think of. And it does this while producing a high quality final file.
I would love to hear from any of you who also have experience with an “alternative” digital soup and find it offers certain advantages over the “big boys.”