Diy 6x9 Wide Angle Camera

RFH

rfhansen.wordpress.com
Local time
10:04 PM
Joined
Sep 26, 2007
Messages
334
DIY 6x9 WIDE ANGLE CAMERA



Inspired by Mael's irresistible thread I decided to build one of my own.

Parts used:
Schneider-Kreuznach Angulon 65/6.8 with Synchro-Compur shutter
Zeiss Ikon Nettar folder with a broken shutter
A faulty Canon FD 50 mm lens
3 mm plywood

I first removed the bellows, its hinges and the door, then filed away all protrusions inside the chamber.

The most difficult part of the project was to modify the Canon helicoid to fit my DIY camera. I began by disassembling the lens, choosing the necessary parts and then figuring out what could be done with them. First of all, I had to make it shorter so that the rotating barrel would not cut off the corners of my image. I did a 1:1 drawing and decided that if cut short enough, the helicoid would work just fine.
I managed to get it down to a length of 16 mm like the Fotoman helicoid I found on their website. Of course the inner diameter is smaller, but the light is still able to reach the corners. And I just saved $220.
I built the lensboard into the rotating helicoid barrel using the metal board from the Zeiss shutter, so it moves properly back and forth when focusing.

The rear thread of the helicoid is connected to the rotating barrel by a small plastic thingy that allows the barrel to travel but remain in contact with the rear thread. If you try to modify a helicoid like I did, take good care to trim it exactly right. If it is too short, you risk losing contact when close focusing. Too long and it will be stuck between the threads and prevent movement of the lens. A bit of filing did it for me. But I learned the hard way that it's always better to file too little than too much.

Then came hours of thinking, staring blankly into space, filing metal and making measurements with my new friend, the digital caliper.

The chamber was made from plywood that I took from the bottom of a wine box. It is fastened in the body with simple wood glue from the shelf and painted with strong black paint. Inside the corners of the box I mounted four square wood blocks to receive the screws from the front board.

I drilled a hole in the front plate and mounted the rear of the helicoid tightly with glue. It feels pretty solid, but structurally it's probably the weakest point of my project.

One issue: The Angulon does not have a cable release thread. It's proving semi-difficult to mount one next to the lens, but I'm sure I'll figure something out soon.

Total cost: Appx. €100, 80 of which went to the lens.


r00129261.jpg


Bits & pieces.


r00128621.jpg


r00128691.jpg


Modified Canon helicoid with the lens attached.


r00129291.jpg


Almost ready for assembly...



r00129241.jpg


Checking that the box parts fit.


r00129311.jpg


Installing the box and the front plate.




Loose sketches.




1:1 drawing done to confirm that the rotating barrel will not cut off the corners of the image. You know, science...





Ideas for the helicoid mount. Used glue instead.



r00129341.jpg


Checking infinity...


r00130011.jpg


And here she is...


r00130021.jpg


Belly of the beast.


r0013003.jpg

Bubble level added. Ready to go.

Needless to say, I was pretty excited to see if I had managed to construct a working camera for myself. I loaded a roll of Plus-X 125 in it and went outside for a few random shots in the snow storm. Am I happy with the result? You bet.
Developed in D-76 and scanned with Canoscan 9900f and a bit of postprocessing applied:






 
Last edited:
Hey that's awesome! I suppose a 65/6.8 you don't have to worry about focus?

Very impressed. I keep thinking about building something with a 39mm mount for my enlarging lenses (I have a huge box, way more than I need), to take panoramics onto 35mm film (35mm x 90mm, 9cm being the widest that'll fit in my enlarger). The only thing that has been causing me trouble is the helicoid, as enlarging lenses don't have a helicoid built-in. Your project has given me a few ideas.
 
Hey that's awesome! I suppose a 65/6.8 you don't have to worry about focus?

Very impressed. I keep thinking about building something with a 39mm mount for my enlarging lenses (I have a huge box, way more than I need), to take panoramics onto 35mm film (35mm x 90mm, 9cm being the widest that'll fit in my enlarger). The only thing that has been causing me trouble is the helicoid, as enlarging lenses don't have a helicoid built-in. Your project has given me a few ideas.

Indeed I was wondering about focus too, that must be the hard part when constructing a camera, how to get the focus mechanism right....
 
Yeah, making a fixed focus camera for hyperfocal shooting would have been a lot easier. But with the helicoid it feels more like a 'real' camera. And focusing back and forth definitely makes a difference in image sharpness. With the current setup I have a focus range of 0,7m to infinity. Of course the numbers on the focus ring do not match, but that can be changed.
 
Cable release issue solved. Finally. I also glued down the rearmost finder frame. The front one almost fits with what my camera sees, which should be appx. 80 degrees FOV. Great.

r0013007.jpg
 
Yes, it's a pretty sweet feeling to have a working DIY camera. I'll post some proper images soon.
The road sign says Glahns Allé. It's in Copenhagen.
 
t2f-kegr.jpg


So, here's a decent shot from yesterday. I have some light pollution on this film. Trying to figure out where it's coming from. I suspect the red film window, which has no cover. At least it's sharp and well-exposed. Used my Ricoh GX100 for spot metering. I'm practising the zone system.

Shot at infinity/1:8/120s
T-Max 100/D-76/Tetenal stop & fix
Canoscan 9900f, converted to B&W with PS channel mixer, nothing else
 
By the way, in the three night images I posted here, some light leaks or 'ghosts' can be seen. My thought is that these are light leaks, but I have never seen these before, so I'm unsure how to classify them. Can anyone help me identify what they are, and what their source might be? Could they be flares because I shot without a lens hood under the strong lights above? As you can see in the day shots, they don't show up there.
 
Back
Top Bottom