Sonnar2
Well-known
Both Ernostar and Sonnar are derived from the Triplet lens design family, or to be more precise: from a triplet with inserted element between the first and second lens, like the Gundlach Ultrastigmat (4 single elements) probably known by Ernemann and shown as "basic Ernostar design", AFAIK, by Robert Kingslake (History of optical design). In order to reach a lens corrected for high speed, he did two different things with it in consecutive order: first (1923), splitting the first and second lens into a cemented pair (resulting in the Ernostar f/2). Second, 1924, splitting the first lens into a triplet, resulting in the f/1.8 lens, still having 4 optical groups and therefore, somewhat resistant to flare. This later lens was predecessor of the Sonnar because of the cemented triplet. This only had 3 optical groups which broadly improved backlight scene behavior.
For a lens that lacks the high speed (like the 2.8/85) you can use the "basic Ernostar type" (or Gundlach Ultrastigmat type, if you prefer) with 4 elements. I found my Rollei 2.8/85 with 4 elements (although pleasing) slightly soft wide open, so I can imagine what happen if you stretch this design to f/2. That's why Ernemann varied it. Pentax did stretch it to f/1.8 in 1960, with coating and 5-element design, but this quite soft wide open too...
For a lens that lacks the high speed (like the 2.8/85) you can use the "basic Ernostar type" (or Gundlach Ultrastigmat type, if you prefer) with 4 elements. I found my Rollei 2.8/85 with 4 elements (although pleasing) slightly soft wide open, so I can imagine what happen if you stretch this design to f/2. That's why Ernemann varied it. Pentax did stretch it to f/1.8 in 1960, with coating and 5-element design, but this quite soft wide open too...