I'm also glad, that people on this list, who have one, hasn't had much bad things to say. I've read a lot of breakage with these things but perhaps, the build quality is better now. QUOTE]
I have had my 202 for quite a few years and it has held up pretty well. My only problem has been that I managed to pull the metal folding crank out of the rewind knob, but that was probably due to me being in too much of a hurry when rewinding.
I think there may be some with quality contol problems with the Horizons though. I got mine in London from a guy who was bringing them in from Poland and the first one (new, sealed in the box) had too many frames that were over-laping by too much and uneven spacing, I returned this. The second is O.K but spacing is still a bit uneven, as it is on my partners, but this is not really a problem as they rarely overlap. It may be as well to buy from someone who will let you return the camera if there is a problem. The guy I brought from was very patient as can be seen from below.
This is slightly off thread but maybe of interest to anyone considering one of the original metal Horizont's (note the 't'). When I brought my 202 the same guy had a number of these secondhand and I coundn't resist buying one of these as well as there such beutiful beasts (GAS again), but I couldn't find one that did not leak light around the drum. He let me try 5 different ones and on each film I put through most frames had verticle fogging bands, the serverity of which varied by how quickly you wound on after taking a picture. That is the longer the frame stayed in the film gate the more the light was leaking from the drum slot. As I am not really a collector (I do seem to have a fair few cameras about the place tjhough

) I only buy cameras to use I didn't end up getting one of these in the end, but I did buy something else from him so I didn't entirely waste his time.
I haven't seen this particular problem on any 202's though.
Jim