Elliott Erwitt at ICP, NYC

CK Dexter Haven

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I have a few of Mr. Erwitt's books and consider myself to be a 'fan' of his work. I was not prepared, though, for what i saw at the International Center of Photography this evening.

The prints are really magnificent. Images are produced beautifully in the books, but the exhibition prints are HUGE. Seemingly something like 24" x 36" for many of them, and lusciously printed. Images that i admired in the books were just spectacular in large scale. And, images i didn't appreciate that much were just 'better' in person. I haven't heard much about this show, but I consider it a 'must see' for anyone interested in classic (rangefinder) photography.

I came away with some other feelings.... With all of the constant bitching and griping among various forum members, about lens sharpness and how whichever piece of gear doesn't do this or that... it's inspiring to see how fantastic a grainy 35mm piece of film shot with a 1950 lens can be. And, the grain is delicious in and of itself. Wow. There were a couple of proof sheets in cases, and it seems he shot a fair amount of Super XX.... I also noted how much i liked the older, grainier images, versus the more recent, more clinically sharp and less grainy photographs. Makes me want to just shoot Tri-X, forget about medium format and digital.... Of course, this will last only as long as i can stay away from the internet or my book collection....

And there were a number of images that really weren't 'sharp' sharp. What i found interesting is that in Erwitt's photographs, that didn't matter to me. However, when i viewed the HC-B exhibit last year, HIS technical issues DID bother me, and i saw them as mistakes. I haven't changed my perspective. It just seemed that Erwitt's 'blur' was beautiful and HC-B's was (forgive me) amateurish or lazy. But, skip that argument, and visit ICP if you have the opportunity.

There's also a nice, but small, exhibition of Ruth Gruber's work, with a bit of a video documentary.
 
It is a great show - his animal/human pictures are amazingly funny - I stood in front of several and laughed out loud. The rest seemed more variable to me - some great and some rather ordinary. But overall, well worth seeing.
 
I hope it comes to Australia. I'm a great fan of Elliott Erwitt's work. His photo of wife Lucienne and their child and cat on the bed is one of my favourite images of all time.
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I hope it comes to Australia. I'm a great fan of Elliott Erwitt's work. His photo of wife Lucienne and their child and cat on the bed is one of my favourite images of all time.
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+1 to that! I recently visited Bendigo to see the "American Dreams" exhibition, and I'll agree with the OP that there is nothing like seeing nice prints, and in this case mostly vintage prints. Bring it on!
 
I hope it comes to Australia. I'm a great fan of Elliott Erwitt's work. His photo of wife Lucienne and their child and cat on the bed is one of my favourite images of all time.
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This one is really special when seen large-scale. Such beautiful grain, and rich, dense blacks... and i'm a sucker for any photograph that features a cat....

I have mixed feelings when i see shows by people who were fortunate to shoot in the 50s and 60s. The work is beautiful. But, i'm saddened to know that we can no longer shoot 'street' and documentary work with similar elegance. Simply, the way people dressed in those days - it really contributes to the drama of the image. And, now? Everyone is just so slovenly.... I'm (only?) 43, and even i remember when people used to dress for such things as air travel. Nowadays, everyone looks like they're just coming back from the public pool.
 
Congrats for visiting that seemingly great exhibition. I "only" will have the chance to go and see his current exhibition of dog shots in my hometown - Bremen/Germany, where the Focke Museum luckily is expanding their collaboration with well known photographers.
 
Erwitt has always been one of my main inspirations - wish the exhibition wasn´t that far away 🙁

BTW HCB is notorious for being a very good photographer as well as a very bad technician. I have heard that his darkroom technicians were among the best in the world due to having to deal with lots and lots of badly exposed negatives
 
I saw Elliott's show in Atlanta earlier this year (or was it the end of last?) and I too was blown away. The photos were very large and surprisingly sharp for the 35mm. Elliot was there at the open and I had a chance to talk with him. The prints were enlarged with a Leitz enlarger, the same one I recently acquired and have not set up to use yet.

I also saw the HCB exhibit at the high, and though that was great, I preferred Elliott's show more. It was amazing!
 
We just returned from NYC. Just a spectacular Erwitt show. The prints in person are so much richer than in the books. It really pays to see them first hand and they are printed huge.

There were many photos of great moments that showed technical flaws such as camera movement. But I also came away with a different attitude about these issues. The captured moments on most of them are so strong that I really didn't let the technical problems bother me. It is easy to spend a couple hours there. I spent some time playing with viewing distance on many of the larger prints. It is interesting how many of them are better viewed at certain distances.

See it before it leaves. I agree it is a "Must see".

Chuck
 
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I tried to link to this page but the URL failed. So, do a search for the following:

“HP technology gives artist Elliott Erwitt a new way to print classic photographs”
 
I'd love to see his work in person and have only ever seen it in books. The repro quality in my books is not great either.

If you want grainy lusciousness in modern film, try Tmax 3200 at 1000 in Xtol 1+1. Its the closest I can find to the classic TriX look!
 
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