I've had two R-D1s at various times, and sold them both as I 'upgraded'. I'm now on my 3rd M8, albeit the new and improved M8.2. I slightly missed selling my spare silver M8 to a buddy of mine but this has passed now that I have the M8.2 replacement for it. If I were to sell my black M8 then I don't think I'd miss it other than the exposed feeling of not having a backup digital RF.
However, I still miss my R-D1 ... and I missed each one as soon as I sold them. I sold my first R-D1 to fund the M8. I then bought another R-D1 because I missed the ergonomics of the Epson, even though I seldom used it any more. I eventually sold this one too but still feel tempted to get another one - I realize that this is madness but I guess it's GAS at it's worst.
It sounds unintentionally ironic.I did however miss having a film camera badly. That's why I bought an R-d1.
It sounds unintentionally ironic.
But yes, having had an R-D1, I understand what you mean. Problem was, whenever I shot B+W with the R-D1, I still missed a film camera badly. It seems from images I've seen that the M8 is more satisfying at this stage.
I went through that process a year ago ... it took me 6 months to order but I am glad I did not wait another 6 like you did as I have enjoyed this camera a lot. Have fun !After one year of deliberation, I ordered an M8 through ffordes camera in the UK.
not mad 😉 exaggerated 🙂
Let's face it, the cling gets you noticed when in quieter environnment.
In my experience, the M8 (not M8.2) gets unnoticed, probably because people do not assimilate its strange noice to a camera. You can be two meters away from a person and most do not react to the shutter of the M8. Even in a church ! maybe also because my leather half-case smoothen the noise.
It sounds unintentionally ironic.
But yes, having had an R-D1, I understand what you mean. Problem was, whenever I shot B+W with the R-D1, I still missed a film camera badly. It seems from images I've seen that the M8 is more satisfying at this stage.
And the RD1 is an excellent choice too. Funny you mentionned the B&W pictures of my blog because today I took the RD1 out for the first time in many months. I am having problems with the shutter of the M8 in the cold, so its stay at home. Today I used mostly CV15 and CV28 and when I processed them to the same colors style than I use with the M8, it just doesn't come out like I want. But when I process in B&W, they look better, and definitely better than the B&W I get with the M8.May be the comparison of RD1 vs M8 for one photographer especially is more meaningful. Hence, I looked at yanidel blog as he seemed to show both. The puzzle is that whilst the M8 color one has its appeal, I like his RD1 B&W picture (in his 2008 Sept archive) much more. Fortunately for me, I still have not enough $ to buy a M8. Still target the RD1.
... I am having problems with the shutter of the M8 in the cold, ...
You have problems with the shutter of the M8 in the cold? That's the first time I read about this kind of problem. How cold is it in Paris these days?
Cam, I really try to avoid 1250 on the M8 unless the speed is needed. Yet on the RD1 I have no problem going to 1600, it even gives a special look to pictures. Just returned from La Bastille where I took RD1+CV28 M only at ISO1600, great combination in my opinion (and the RD1 does not cough ... 😉 ) I'll try to post a picture on my blog tomorrow.